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...reportedly more sulkily temperamental than usual, with Playwright-Husband Arthur Miller hovering solicitously on the edge of the set during much of the shooting. What's more, Wilder took the fairly daring risk of turning two of Hollywood's most popular leading men (Tony Curtis and Jack Lemmon) into female impersonators...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 23, 1959 | 3/23/1959 | See Source »

Curtis and Lemmon are a couple of musicians in a Chicago speakeasy. When the club is raided and they are suddenly out of a job, they arrive at a garage to borrow a friend's car just in time to witness a painfully accurate re-creation of the St. Valentine's Day massacre of 1929. With Curtis and Lemmon cowering in a corner, Mobster George Raft and his henchmen line seven men against the wall and machine-gun them dead...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 23, 1959 | 3/23/1959 | See Source »

...escape sure death as witnesses to the slaughter, Curtis and Lemmon leap into garter belts and padded bras, join an all-female orchestra heading for Florida. The band's singer: Actress Monroe. For the rest of the movie, Curtis and Lemmon are rarely out of their dresses...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 23, 1959 | 3/23/1959 | See Source »

...Adapted from Pierre (The Bridge over the River Kwai) Boulle's novel, Face of a Hero should at least prove the novelist's versatility as it switches from the Far East to small-town melodrama in the U.S. South. With Jack Lemmon, James Gregory and Rip Torn...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER,BOOKS: Time Listings, Jan. 5, 1959 | 1/5/1959 | See Source »

...first thing Lemmon learns is that a horse is a treacherous animal-a friend to your face but an enemy to your rear. He also learns to sleep on the bare ground, to catch naps in the saddle, to laugh at the cowboys' jokes-and they laugh hardest when the joke is practical. One day, just for the hell of it, somebody wraps a "prairie eel" around somebody else's neck, and everybody gives the victim the heehaw until the rattlesnake gives him a bite. It is then that the greenhorn learns what a human life is worth...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 17, 1958 | 2/17/1958 | See Source »

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