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FemSex also provides a safe, non-judgmental space. Not all of us can bare our souls to the world like Lena Chen ’09, whose blog, “Sex and the Ivy,” has been much-publicized for its candid look at sex at Harvard. Some of us want people to whom to talk who can identify and share, who we know won’t stop liking us for being a little T.M.I. Too often, I get looks in the dining hall for talking loudly about sex. FemSex provides a place for people...

Author: By Sachi A. Ezura | Title: Bringing FemSex Back | 10/17/2007 | See Source »

...value in modesty. He called himself the "world's greatest bassist," and many jazz giants, notably John Coltrane, agreed. The classically trained genre hopper ("It all sounded good to me," he said), who turned to jazz after encountering resistance in his early searches for classical jobs, accompanied singers from Lena Horne to Bob Dylan, played in TV and Broadway orchestras and backed Coltrane on such recordings as Ol Coltrane and Ascension. In the '70s, his unsuccessful discrimination suit against the New York Philharmonic got him blacklisted, so he added a new profession to his rsum: clinical psychologist. Davis...

Author: /time Magazine | Title: Milestones Aug. 20, 2007 | 8/9/2007 | See Source »

...Lena Chen ’09, a Crimson Fifteen Minutes editor, is a sociology concentrator in Currier House. She is actually not fond of The Boy Who Lived...

Author: By Lena Chen | Title: The Boy Who Lived (With Me) | 8/2/2007 | See Source »

...reason that boys of a certain age were enthralled by Bergman's films was that he had some of the world's most beautiful and powerful actresses in his repertory company: Eva Dahlbeck, Harriet and Bibi Andersson, Ingrid Thulin, Gunnel Lindblom, Liv Ullmann, Lena Olin. These were major mesmerizers, and they all worked...

Author: /time Magazine | Title: Woody Allen on Ingmar Bergman | 8/1/2007 | See Source »

...heading stage companies in Malmo and then Stockholm, directing productions that toured through Europe and later the U.S. and won him the reputation as a great and daring interpreter of the classics. (His productions of Long Day's Journey into Night, with Bibi Andersson, and Miss Julie, with Lena Olin, were triumphs at the Brooklyn Academy of Music.) Stage work occupied this indefatigable artist nine months a year; then, on his summer vacations, he would make these movie masterpieces...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

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