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...egregious state laws discriminating against women, and to recommend corrective action. However, many such laws have been found, and none have been addressed by the Justice Department during the Administration's tenure. Certainly this glaring question mark could become part of the Democratic arsenal against the incumbent. It would lend some meat to the predominantly "image"-type denunciations thus...

Author: By Paul W. Green, | Title: Gender Gaps | 1/16/1984 | See Source »

...retrospective, this show is by no means "definitive." Quite a few key works are absent. The Art Institute of Chicago refused to lend Excavation, 1950, the biggest and most ambitious of de Kooning's biomorphic abstractions, while from the celebrated Women series of the early '50s, those shark-grinning popsies before whose dumpy and threatening torsos so much critical rhapsody has been laid, three of the main paintings (owned by Australia, Iran and the Museum of Modern Art in New York City) are missing. Nor do we get to see Police Gazette, 1954-55, or Gotham News...

Author: /time Magazine | Title: Art: Painting's Vocabulary Builder | 1/9/1984 | See Source »

Nicaragua has become a mecca for Americans who reject the Reagan Administration's policy of saber rattling and providing covert aid to the contras seeking to overthrow the leftist Sandinista government. Several hundred American residents of Nicaragua lend the government their expertise in such fields as agriculture, health, culture and industry. In addition, "solidarity" groups in the U.S. sponsor as many as ten different delegations every month for brief but busy tours of revolutionary life...

Author: /time Magazine | Title: Yankees Leave Home | 12/19/1983 | See Source »

City councilors said they supported the idea of the rink. "It would lend great depth to youth sports." Councilor Leonard J. Russell said last night...

Author: By Catherine L. Schmidt, | Title: Cambridge May Gain Municpal Skating Rink | 12/13/1983 | See Source »

...AUTOBIOGRAPHY My Last Sigh, Luis Bunuel, the father of the surrealist cinema, remarks that the one unifying principle of his first film, "Un Chien D'andalou," was that "no idea or image that might lend itself to a rational explanation of any kind would be accepted." In telling his life story, Bunuel likewise rejects interpretation. His memoirs are a rambling collection of disparate reveries, images, jokes, each of them entirely absorbing. Bunuel does not draw upon these to form conclusions of any sort, to make aesthetic judgements or to evaluate the importance of various events in the development...

Author: By Sophie A. Volpp, | Title: No Answers | 12/6/1983 | See Source »

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