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...expensive new jet. If it accepts the British terms, Lockheed will probably have to charge the financially strained lines $16 million for each TriStar v. the roughly $15 million originally planned. Banks and insurance companies, which have supplied an estimated $1 billion to Lockheed, would surely have to lend it more...

Author: /time Magazine | Title: AVIATION: An Offer of Costly Salvation | 3/15/1971 | See Source »

Buechner's characters do not easily lend themselves to humor. The narrator is a bachelor approaching middle age, who lives with his cat on the Upper East Side, and goes to the hospital every day, to visit his twin sister, who is dying of a bone disease, and has just been divorced by her husband. The narrator's subject is the middle-aged founder of a Southern fundamentalist religion, which ordains anybody to the ministry by request (and the payment of a love offering), a former Bible salesman who did five years in jail for exhibitionism. The other characters...

Author: By Michael Ryan, | Title: Fiction Reviving the Novel | 3/11/1971 | See Source »

WHEN I was in high school, my English class read a story called "They Grind Exceeding Small." A very moralistic story, it was a diatribe against a nasty rich man who refused to lend a woman the money that would have saved her husband's life. Ironically (but, we are told, not accidentally), his own son dies as a result. It was all fairly complicated, and not very good, most of us thought. But it was assigned for a purpose. As our teacher pointed out, while the bad man in the story was pretty bad, he couldn't compare...

Author: By Arthur H. Lubow, | Title: Michael Crichton: Erich Segal Spelt Backwards? Take the Money and Run Dealing | 3/4/1971 | See Source »

Many of Brustein's statements lend themselves to criticism. I am very suspicious of anyone who can condemn "relevant" theatre in the same book in which he cites Aristophanes. Has Brustein forgotten what was happening in Athens in 421, when The Peace was produced? When he cries for an art separated from contemporary events, does he dismiss Guernica, or Quartet for the End of Time, or, for that matter, Slaughterhouse-Five, because they spring out of a revulsion against war and fascism? What are his criteria...

Author: By Michael Ryan, | Title: Theatre Revolution as Theatre | 2/18/1971 | See Source »

...fashion writer's role, traditionally, is to lend a bit of tone to what otherwise might be a confusing free-for-all -namely, the Paris showings. As critiques of the latest fiasco boiled up last week, however, it was apparent that the fashion press had run totally out of patience with wispy Yves St. Laurent, long the sweetheart of haute couture...

Author: /time Magazine | Title: Modern Living: Yves St. Debacle | 2/15/1971 | See Source »

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