Word: lene
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...locals. They resent everything about him—from the way he reprimands petty theft, to his preference of soda water over beer—and the plot seems to percolate with conflict. Compounding the rural-urban clash, Robert is soon sexually propositioned by a married woman, Ingelise (Lene Maria Christensen), who claims that her husband, Jorgen (Kim Bodnia), beats her. What ensues is a love-triangle ripe with violence and unexpected twists. As Robert learns to adapt to his surroundings and situation, he eventually finds himself inextricably mired in the more figurative bog of Skarrild’s crime...
...formula seems to be working. Nearly 800 fellows as young as 18 and as old as 82 have been christened since 1981. Among their feats: slowing the speed of light (optical physicist Lene Hau, 2001), mapping the human genome (geneticist Eric Lander, 1987), penning acclaimed novels (Cormac McCarthy, 1981; the recently deceased David Foster Wallace, 1997), scheming to save our threatened fisheries (lobsterman Ted Ames, 2005) and solving Fermat's Last Theorem (mathematician Andrew Wiles, 1997). Seven have nabbed the Nobel Prize, including geneticist Barbara McClintock (1981) and former U.S. poet laureate Joseph Brodsky (1981). Others have won Pulitzers, Fields...
...privileged clan. But Assayas, best known for the films (Irma Vep and Clean) he made with his once-wife Maggie Cheung, has more on his mind than duplicating House & Garden spread on screen. For at the center of the movie's first act he place the imposing Hélene...
...belongings but declines to spell it out in her will. Scob, who nearly a half-century ago was the muse of the remarkable director George Franju (Eyes Without a Face, Thérese Desqueyroux, Judex), has an ingrained insight into the character that not only presents Hélene in her 70s but suggests the kind of mother she must have been. There's also a taut sensuality that hints at a family secret not revealed until after she dies...
...sags a bit at Hélwne's death. So does the moviegoer, as Summer Hours is obliged to follow the dispute and disposition of the estate. (Berling, solid and subtle, becomes the focus of the film; Binoche and Renier appear only briefly.) I think Assayas wants Hélene's loss to be felt through the rest of the picture. Her shadow, and that of her home, have to linger till the end, when Frédéric's own children spend a last weekend at the chateau, and one of them connects with its gentle spirit. That...