Word: length
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Dates: during 1950-1959
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...length, Teviston voted to create the water district, even though the assessed valuation on their land was so low that a bond issue seemed out of the question. Still, Teviston hired a lawyer, and the people emptied their pockets, begged loans from banks, floated a tiny ($7,800) bond issue. Even after the deep well was dug, the hard-pressed laborers had to dig down for more money to help pay for equipment and water lines. A few bluntly refused: "I'll believe it when I see the water," grumbled...
Aside from its sentimentality, the worst of the film's offenses is its unreality. Though Kramer & Co. predict that On the Beach will act "as a deterrent to further nuclear armaments," the picture actually manages for most of its length to make the most dangerous conceivable situation in human history seem rather silly and science-fictional. The players look half dead long before the fallout gets them. But what could any actors make of a script that imagines the world's end as a scene in which Ava Gardner stands and wistfully waves goodbye as Gregory Peck sails...
...individual instruments and makes enormous, almost unattainable, demands on the rhythmic accuracy of the players. It is certainly not an aggressively unpleasant work and some piquant arrangements of the brass sonorities were intriguing. Yet, the work seems not, even after several hearings, to have justification for its length or most of its peculiar characteristics. The performance suggested that Mr. Senturia had steered the group well through the score's most complicated sections. Only a lovely oboe introduction to the first movement by Carl Schlaikjer seemed anything more than competent. But then, in this piece, a competent performance constitutes a major...
...Communist up against a tough, cynical but gallant revolutionary was shot through with Marxist analysis. With such qualities Jean-Paul Sartre's Crime of Passion seemed an unlikely play for TV. But viewers in the New York area saw it last week, in a full-length and absorbing production, well acted by a cast that included Claude Dauphin and Betsy von Furstenberg...
...might have had a special appeal. It could, just long and lyrically enough, have chronicled a meeting and sustained a mood-and with no tossed-in newlyweds, no shaky final scene. Unfortunately, as a one-acter it would not fit the Broadway scheme of things, though as a full-length play it scarcely fits it either...