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...films, the one to track down is the 1958 Cairo Station, which documents the tough lives of people peddling newspapers and soft drinks to train travelers. Though it moves on the tracks of tragedy, for much of its brief length the movie has the exuberance of '50s Italian comedies, with bawdy banter, tabloid stories of decapitations, and a saucy heroine (the Lollobrigida-like Hind Rostom) who tries to evade both the rail authorities and a sullen suitor (played by Chahine). At one point the girl sweeps her younger brother from the tracks as a train rushes by - no back projection...
...work often cited as proof is So Was Born the Generation of '66. Painted in that year, it shows a young artist, in a red hip-length jacket, holding up a paintbrush like a peace offering amid a violent streetscape. In the background, graffiti from the Partai Komunis Indonesia (PKI) is scrawled across the walls. The painting's content is explicitly political. "[Sudjojono's] point is that all the artist needs is his paint and brush and he can take on the world," explains Kuala Lumpur gallery owner Valentine Willie. Putting the artist center stage also gave the work...
...Bertrand's own wording belied a glaring incongruity in the law: while it allows employers to demand that workers spend more time at work, 35 hours remains the reference length of the French workweek. That's a smart move, since polls show the French are fond of the 35-hour week, and quashing it outright could prove unpopular...
...suffer fools. They operated out where no one else went, and if you ever saw them in a civilized setting, they were likely to be drunk and abusive, and no wonder. Today Dave is a boon companion, but you are aware that his fuse doesn't have much length. We hired a car and went up to Hue together, intending to go to the Ashau Valley, home of Apbia Mountain, or Hamburger Hill, the site in May 1969 of one of the most appalling battles of the war. Dave was there. He was in enough places to be shot twice...
...Mayerling, and she was soon performing a wide repertory. When Baryshnikov came calling, Ferri was ready, leaving the Royals with a mere ''You only live once.'' In her first year at A.B.T., she has worked with typical speed and intelligence, learning six major roles, three of them in full-length ballets. Says the A.B.T.'s Tchernichova, with whom Ferri now studies: ''In Act I of Giselle she is like Anna Magnani when she goes mad. In Act II she is like a cloud.'' SYLVIE GUILLEM. Until she was eleven and fell in love with ''le spectacle,'' or the show...