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LOWELL HOUSE DINING HALL, Triumph of the Will by Leni Riefenstahl, Night and Fog by Alain Resnais, refreshments and discussion following...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 12/13/1973 | See Source »

...finally frustrating not to see the essence of their thing, which is a blur. Arthur Penn has some extremely pretty pictures of pole vaulters slowly soaring, but when he cuts a lot of vaults together to form a sort of aerial ballet, we are inevitably reminded that Leni Riefenstahl did the same thing, using divers, 36 years ago. It is disappointing to see a man of Penn's caliber ripping off an old master...

Author: /time Magazine | Title: Cinema: Non-Olympian | 9/17/1973 | See Source »

...last interview is with Leni herself, but by then her story has been told. Why Au. has been compelled to tell it is a riddle that remains after the novel ends...

Author: /time Magazine | Title: Books: Still Life | 5/28/1973 | See Source »

Junk. Perhaps it has something to do with an obsession of Leni's that prefigures Au.'s method. As a girl in a convent school, Leni learned to worship the orderly function of her organs, and the instruction had the force of an epiphany. Later she undertook her life's work: reproducing, with a child's paintbox and brush, "a cross section of one layer" of a nun's retina-6,000,000 cones and 100 million tiny rods...

Author: /time Magazine | Title: Books: Still Life | 5/28/1973 | See Source »

does the same for Leni's life...

Author: /time Magazine | Title: Books: Still Life | 5/28/1973 | See Source »

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