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...Andrea Kosinski wants to meet him. She says that because she is his public she has a right to. Goddard remembers that John Lennon's public killed him and continues hiding his identity even from his parents. To unmask Goddard, Andre enlists the unlikely help of Patrick Domostroy, a once prominent classical composer perfectly content at being reduced to playing the piano at a "pinball joint that tries to pass for a nightclub." Like most of Kosinski's heros, Domostroy lives on the fringes of normal morality and society. In an abandoned ballroom in the South Bronx, he spends...

Author: By John F. Baughman, | Title: Tilting | 3/25/1982 | See Source »

...music may have declined drastically since the days of Lennon and McCartney, but AM could not do full technical justice to a terrific song even if it had one to play. The quality of music reproduction on AM radio is so far behind FM capability that an all-talk format is about the best the wave band can handle. You can't dance to palaver, of course, but at least you can hear...

Author: /time Magazine | Title: Music: Hot Air | 3/8/1982 | See Source »

...person came in saying he was John Lennon and wanted to find out what the '80s were all about," Phil Burke, an employee at Harvard Square Theater, said yesterday. "But we didn't believe him," he added. Burke said he did not know whether the questioner was from the Lampoon...

Author: By Jay E. Berinstein, | Title: 'Poonie Pranks and Protests For Lampoon 'Phools' Week | 12/11/1981 | See Source »

Watts and the others did not forget their tutelage in R and B; for years they insisted they were not a rock band, and certainly not a pop band, like their rivals, the Beatles. When McCartney and Lennon dropped in on an early recording session and suggested that the Stones play original material instead of just R and B covers, Jagger was caught by surprise, responding "Oh! You're right; that's a good idea." But still the Stones have always tended to fall back on what they know best: Black American blues. For quite a while, Brian Jones favored...

Author: By Paul M. Barrett, | Title: The Roots of Stones | 11/7/1981 | See Source »

...Before Elvis there was nothing," John Lennon stated in one of his last interviews. The exaggeration was permissible; Elvis Presley, a Memphis hillbilly shouter, did, in fact, radically transform popular music in America. Prior to "the Pelvis," the rhythms of rock were buried in the funk of "race" music. In his wake came the generations of rock compounds: -abilly, acid, punk, and, inevitably, Beatlemania. The first to mesmerize the millions of white teen-agers of mid-'50s America, Elvis all too soon degenerated into rhinestone rumbling, and his act, his records and films, even his bloated, tragic end, contained...

Author: /time Magazine | Title: Books: In Search of Pelvis Redux | 11/2/1981 | See Source »

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