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...Rock, Lennon knew as well as anyone, is the applied art of big risk and big feelings. The songs he and Paul McCartney wrote for the Beatles, separately and together, brought more people up against the joy and boldness of rock music than anything else ever has. It wasn't just that Aaron Copland and Leonard Bernstein were taking the Beatles as seriously-and a good deal more affectionately-than Stockhausen. The worldwide appeal of the Beatles had to do with their perceived innocence, their restless idealism that stayed a step...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

...songs Lennon wrote later on his own-Imagine and Whatever Gets You Thru the Night, Instant Karma and Give Peace a Chance and the gentle and unapologetic Watching the Wheels from the new album, or the gorgeous seasonal anthem, Happy Xmas (War Is Over), which he recorded with Ono in 1972-kept the standard high and his conscience fine-tuned. The political songs were all personal, the intimate songs all singular in their fierce insistence on making public all issues of the heart, on working some common moral out of private pain. Rock music is still benefitting from lessons that...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

Despite the universality of interest in his death, Lennon remained chiefly the property-one might even be tempted to say prisoner-of his own generation. Some -those who regarded the Beatles as a benign cultural curiosity, and Lennon as some overmoneyed songwriter with a penchant for political pronouncements and personal excess-wondered what all the fuss was about and could not quite understand why some of the junior staff at the office would suddenly break into tears in the middle of the day. "A garden-variety Nobel prizewinner would not get this kind of treatment," said a teacher in Oxford...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

...little reminder was in order, a small history lesson, and there was no one better to lead the class than Bruce Springsteen. Lennon had lately become warmly admiring of Springsteen, especially his hit single Hungry Heart. Springsteen could probably have let Lennon's death pass unremarked, and few in the audience at his Philadelphia concert last Tuesday would have been troubled. But instead of ripping right into the first song, Springsteen simply said, "If it wasn't for John Lennon, a lot of us would be some place much different tonight. It's a hard world that...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

...board so hard he broke a key. By the second verse, the song turned into a challenge the audience was happy to accept: "I wanna know love is wild, I wanna know love is real," Springsteen yelled and they yelled back. By the end, it sounded like redemption John Lennon knew that sound too. He could use it like a chord change because he had been chasing it most of his life...

Author: /time Magazine | Title: The Last Day in the Life | 12/22/1980 | See Source »

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