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WHETHER we knew it or not we were saying something much more profound than the catchy Lennon tune. All the different and irreconcilable groups, the Weathermen and the McCarthyites, the Panthers and Mayor Washington, were all saying in their own way that we are finding it harder and harder to exist in America. We came to this Southern city with its stupid architecture, this pathetic town of ulcers and unreality to say en masse that we feel like orphans, we feel at odds with ourselves and particularly with this war that has grown out of us (do not make...

Author: By Jim Frosch, | Title: On the March Washington Blues | 11/19/1969 | See Source »

DILLARD AND CLARK have also picked up some other songs written by other groups and reworked them to fit their own style. "So Sad," and Everly Brothers tune which was soggily sentimental in the original, becomes much more alive with a rock background. Lennon and McCartney's "Don't Let Me Down" also comes off with considerably more personality than the original, with some very effective slide guitar and piano work...

Author: By Jill Curtis, | Title: Through the Morning, Through the Night | 11/17/1969 | See Source »

What's more, mythology can only grow healthily in an air of confusion and uncertainty. The lives of the Beatles, once our number one hero figures, have by now been too well-reported and unambiguous to allow them god-like respect. We have all seen John Lennon picking his nose on the Tonight show, and we have all seen proof that his sexual equipment is of mercy human proportions. Deluged with well-researched information by our zealous press media, we are often confronted with heroes too human and most ungodly...

Author: By Andrew G. Klein, | Title: More American Images Richard Farina: Cultural Hero? | 10/25/1969 | See Source »

...Beatles, he said, has been dead for several years, and is being impersonated by a double. Gibb figured it all out from two Beatles album covers. The new Abbey Road cover, he explained, shows Ringo Starr dressed as an undertaker, George Harrison as a gravedigger, and John Lennon as a religious personage. Paul is dressed hi a normal suit and is barefoot-the mark of a corpse laid out for burial in Italy. The license plate on a parked Volkswagen reads "281F," meaning that Paul would have been 28 if he had lived. On the second album cover, Magical Mystery...

Author: /time Magazine | Title: People: Oct. 24, 1969 | 10/24/1969 | See Source »

LaBour also mentioned that "Octopus's Garden," on side one, is a British cemetery for naval heroes, and that "I Want You (She's So Heavy)" "is Lennon wrestling with Paul. trying to pull him out of the earth." And in "Oh! Darling," the "Oh! Darling"'s sound a lot like "Oh! Johnny"'s and the words include. "I broke down and died...

Author: By Jeff Magalif, | Title: Clues Do Not a Dead Man Make | 10/23/1969 | See Source »

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