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Word: lensed (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Using this camera, George Leavens, one of the free-lance photographers on the story, spent a month in and out of the water photographing submersibles. A veteran of 30 years' diving, he still finds undersea photography tricky and rigorous work. Shooting the submarine Deep Diver, he wrestled strong currents...

Author: /time Magazine | Title: A Letter From The Publisher: Jan. 19, 1968 | 1/19/1968 | See Source »

Cinematically, the chief influence on Nichols remains the photographer of Who's Afraid of Virginia Woolf?, Haskell Wexler, also cameraman on In The Heat of The Night. When the sun shines, Nichols points his camera at it; if a car approaches the camera, Nichols bounces the headlights off the lens...

Author: By Tim Hunter, | Title: The Graduate | 1/19/1968 | See Source »

Electric Slippers. Seki began his career by making a telescope from an old magnifying glass and a lens he found in his father's pawnshop. He was stunned by the sight of craters when he first turned his telescope on the moon, and has been star-struck ever since...

Author: /time Magazine | Title: Astronomy: Another for the Amateurs | 1/12/1968 | See Source »

Bonnie and Clyde by Arthur Penn. A knowledge of the best in American film art (the work of Griffith, Hawks, Ford, and Hitchcock, for example) leads us to the conclusion that great films come instinctively to their makers, that thematic depth is rarely the product of an analytical intellect working...

Author: By Tim Hunter, | Title: The Ten Best Film of 1967 | 1/5/1968 | See Source »

Hurry sundown by Otto Preminger. Bernard Shaw postulated that great playwrights by definition write great plays, and this is certainly the easiest way to defend Preminger's' Hurry Sundown, a difficult and dramatically unrewarding film. Like most of the great European directors who work in Hollywood, Preminger, takes little of...

Author: By Tim Hunter, | Title: The Ten Best Film of 1967 | 1/5/1968 | See Source »

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