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By the academic standards of its time, the figure of Annette on the Beach at Villerville (1910) is a botch-drawn as though made of string and plasticine, the skirt rendered in weird and only semilegible notations of white paint. Yet Vuillard caught with tender and ironic precision the way...

Author: /time Magazine | Title: Art: The Insider | 11/22/1971 | See Source »

Two years after the photograph was taken, Duncan received what may well be the modern art world's ultimate honor. On his 46th birthday, Duncan was summoned to Picasso's studio. There on the artist's easel was a drawing of Duncan, right elbow raised high as...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 1, 1971 | 11/1/1971 | See Source »

Solomon Gomez, captain of last year's team, was at the game, but he was doing his shooting from the sidelines with a 200 millimeter lens.

Author: By Eric Pope, | Title: Alumni Booters Lose, Chiappa Scores Twice | 10/26/1971 | See Source »

This documentary-like introduction goes on for several minutes, and then there is a delicate but crucial shift of focus that signals a complete change in the film's perspective. Coutard's camera is following an American jeep traveling down a Saigon street; suddenly, through an adjustment of the camera...

Author: By Michael Levenson, | Title: Hoa Binh | 10/19/1971 | See Source »

Proust criticism remains more a matter of saturation than of precision. He still gets praised a little abstractly as a technical innovator, a man who ran time present and time past on dual tracks and played with memory like a zoom lens. Read today, Proust gives curiously old-fashioned satisfaction...

Author: /time Magazine | Title: Books: Marcel's Wave | 10/11/1971 | See Source »

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