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The precision and penetrating power of laser beams have, as predicted, given them entree to the operating room, where they can cut into human and animal tissue as delicately as a finely honed scalpel. Even better, the laser knife does not draw blood. Its searing but highly localized heat cauterizes...

Author: /time Magazine | Title: Technology: The Power & Potential of Pure Light | 7/12/1968 | See Source »

Polanski's overrated Knife in the Water was at least well-paced and slick, exuding an unpretentious formalism we happily like to associate with good committed art. Since then, the money increased, Hollywood beckoned, Polanski learned English, and his films have apparently fallen into every cinematic pitfall readily available. Repulsion...

Author: By Tim Hunter, | Title: Rosemary's Baby | 7/1/1968 | See Source »

The only one clearly enjoying himself is Director Lester, who has unabashedly used the story as a pretext to gleek, glom and glare at the Frisco scene with his cameras. "My apartment's only four blocks from here," says the doctor. He and Petulia go to a super de...

Author: /time Magazine | Title: New Movies: Petulia | 6/14/1968 | See Source »

Heart of the starlight scope is its image-intensifier tube, a sturdy combination of the home TV screen and miniaturized space-age electronics. Focused sharply by the scope's front lens, the slightest flickers of light are directed against a chemical film, causing it to discharge electrons. Boosted along...

Author: /time Magazine | Title: Weapons: Taking the Night from Charlie | 5/31/1968 | See Source »

Given the tricky and unpolished style and the ultimate anticlimax of the plot, A Dandy In Aspic isn't half bad. Although Laurence Harvey's acting capabilities enable him to register only an emotional strain of the kind plainly treatable with low-level patent medicines advertised on television, several scenes...

Author: By Tim Hunter, | Title: A Dandy In Aspic, Madigan, and The Champagne Murders | 5/24/1968 | See Source »

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