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ANTHONY MANN, a director commonly associated with several good westerns, turned to modern melodrama in his last films, and made some mistakes. For careful balancing of expansive exterior composition, he substituted that betenoir of camera technique, the zoom lens, with its infinite capacity for making an audience think suspense is...

Author: By Tim Hunter, | Title: A Dandy In Aspic, Madigan, and The Champagne Murders | 5/24/1968 | See Source »

McCarthy, no less than Kennedy, has been forced to look at the world through a wider-angle lens since the President's renunciation. At the University of Pennsylvania, the Minnesotan reflected with almost casual eloquence on the misdirection of U.S. foreign policy. "We have relied too much on the...

Author: /time Magazine | Title: Nation: Quickening Passions | 4/26/1968 | See Source »

Enormously Wasteful. Several scientists have theorized that the pulses may be caused by white dwarf or neutron stars rotating rapidly around each other in a binary system; any particles passing through the rotating and intense magnetic field that must exist between the two stars would produce strong radiation that would...

Author: /time Magazine | Title: Astronomy: Taking the Pulse of Pulsars | 4/26/1968 | See Source »

Although the Quincy photographers allude lightly to the "Brandeis Exhibit," they would have done better to explain what they share with that exhibit--the theme, the American social landscape and the technique, 35mm camera usually with a 35mm lens. The point is to familiarize the timid viewer with what you...

Author: By John G. Short, | Title: Still Photography | 4/24/1968 | See Source »

THE message in John Levine's work is using the 35mm lens to record not just a situation, but the total environment which surrounds it. In one side of his picture of a support-the-war vendor you can see several blocks down the street. A picture of people at...

Author: By John G. Short, | Title: Still Photography | 4/24/1968 | See Source »

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