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The Trial is by no means a great film. It is founded on an esthetic fallacy-the proposition that a camera can see what is unseeable: Meaning, Being, Mystery. But when Welles makes a mistake he makes it on a grand scale and in the grand manner. He is one...

Author: /time Magazine | Title: Cinema: In the Toils of the Law | 3/1/1963 | See Source »

Permanent magnets seemed permanently limited until Westinghouse Engineer Ray Radus taught them a new trick. Radus began by building an unusually strong magnet, a slice of ceramic material sandwiched between flat plates of soft steel. With the steel focusing its lines of magnetic force in much the same manner that...

Author: /time Magazine | Title: Technology: Ceramic Sandwich | 2/15/1963 | See Source »

With Camera Obscura. The Daniells landed in Calcutta in 1786. spent two years making sketches of the city for a series of aquatints. The pictures were published back in England with such success that the artists decided to penetrate into upper India on "guiltless spoliations'' of more picturesque...

Author: /time Magazine | Title: Art: India in Aquatints | 2/8/1963 | See Source »

Tough Picture. When the released dyes reach the surface, they hit a sheet of white paper coated with large, stationary molecules of an acid material. These clutch the dyes as they arrive and form them into a tough, many-colored surface that reproduces the colored image focused by the camera...

Author: /time Magazine | Title: Photochemistry: Sudden Color Film | 1/25/1963 | See Source »

Honored by the German Society for Photography, the world's foremost photographic organization: LIFE Photographer Alfred Eisenstaedt, 63. who returned to his native Germany for the first time in 27 years to accept a symbolic optical lens with an 18-carat gold rim and a $1.250 cash prize "as...

Author: /time Magazine | Title: People: Oct. 12, 1962 | 10/12/1962 | See Source »

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