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Man at Work. True stories of Brown at work are becoming legends of European labor. In the darkened Lamand Café, in the French mining center of Lens, Brown met in 1946 with six miners. Their leader, tough, 76-year-old Henri Mailly, wore a bullet-holed beret, newly ventilated...

Author: /time Magazine | Title: LABOR: The Most Dangerous Man | 3/17/1952 | See Source »

Television was there too. From a hill two miles away, WCPO-TV trained its cameras on Jones, brought him into view with a zoomar lens. The station rushed a mobile unit to the building, and there other cameramen aimed their lenses and waited. WLW-TV, six blocks away, put a TV camera on a fire escape, fed the scene to stations in Dayton and Columbus. WKRC-TV. eight blocks away, went on the air with closeups...

Author: /time Magazine | Title: Radio: Unscheduled Program | 3/17/1952 | See Source »

Residents of the outside world are inclined to look upon the citizens of New York's Westchester County as the mink, martini & money set, with hardly a petty thief in a trainload. Last week George A. Williams, the New York Central Railroad's station agent at Chappaqua in...

Author: /time Magazine | Title: MANNERS & MORALS: Cheating at Chappaqua | 2/25/1952 | See Source »

Director Bill Hobin uses cranes, dollies and ramps to move his five cameras up & down, back & forth, this way & that. A wide-angle lens can catch as many as ten dancers and eight singers in a single shot without having them trample each other or clutter the screen; the zoom...

Author: /time Magazine | Title: Radio: Come of Age | 2/25/1952 | See Source »

Zoltan Korda affectionately filmed the picture almost entirely in the real locales: Ixopo, Carisbrooke and Johannesburg. There are expansive shots of rolling green hills, played-out mining areas and savage slums. But the camera, with its realistic eye, can also confine and shackle. Though Cry, the Beloved, Country has much...

Author: /time Magazine | Title: Cinema: The New Pictures, Feb. 18, 1952 | 2/18/1952 | See Source »

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