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Kill Bill: Vol. 2, is an ode to the most cunning and sensuous lips ever to grace the screen. Under the lens of Robert Richardson, an emerging master of the close-up, Uma Thurman’s lips star in Vol. 2 as though they were themselves a separate character...

Author: NO WRITER ATTRIBUTED | Title: Happenings | 4/30/2004 | See Source »

Indeed, the curricular review’s theme of “internationalization” is in part a call for more of this kind of fluffy treatment of foreign cultures, sanitized through a Western “pluralistic” lens so that nobody’s feelings get...

Author: By Luke Smith, | Title: How Undergraduates Get Shafted | 4/26/2004 | See Source »

The exacting curves of Uma Thurman’s outer mouth headline a marvelous cast of lips at the heart of Tarantino’s brazen and torrential work, which opens nationwide today. Under the lens of Robert Richardson, an emerging master of the close-up, Thurman’s...

Author: By Zachary M. Seward, CRIMSON STAFF WRITER | Title: Film Review: Kill Bill, Vol. 2 | 4/23/2004 | See Source »

Dobin agrees that each institution must consider potential curricular reforms through the lens of its own traditions.

Author: By Sara E. Polsky, CRIMSON STAFF WRITER | Title: Harvard’s Long Shadow | 4/16/2004 | See Source »

Ousmane Sembene’s 1977 film was banned in his home country on a wacky technicality, but the history only adds to the allure of Senegal’s most famous auteur’s most ambitious flick. Seemingly, the kidnapping of a beautiful princess is the centerpiece, but...

Author: NO WRITER ATTRIBUTED | Title: Happening | 4/9/2004 | See Source »

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