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AN: I think that everyone’s preoccupied with these questions at some level. I think everyone embraces some form of Lewis’s worldview or some form of Freud’s worldview. Everyone, whether they realize it or not, has a worldview. That worldview is formed...

Author: By J. hale Russell, CRIMSON STAFF WRITER | Title: Life, the Universe, and Everything | 4/19/2002 | See Source »

Productions of Assassins, Stephen Sondheim and John Weidman’s controversial musical about historic gunshots, have historically shot themselves in the foot by opening—or trying to—in politically volatile times. The show’s premiere at Playwright’s Horizons was crippled...

Author: By Adrienne E. Shapiro, CONTRIBUTING WRITER | Title: ‘Assassins’ Hits Right On The Mark | 4/12/2002 | See Source »

The student-designed lounge provides a startling contrast with the labs that surround it. The butterscotch walls and open seating area give the room a clean, modern feel; any feng shui expert would marvel at the telescope lens-like smooth geometry of the furniture. Swirly silver light fixtures hang from...

Author: By Sarah S. Burg, CRIMSON STAFF WRITER | Title: A Room of Their Own | 4/11/2002 | See Source »

Three filmmakers suggest that Japan's rising sun is about to climb a little higher. Shunji Iwai has got pop-culture sensibility down pat and, in All About Lily Chou-Chou, his lens finds the gritty underside of young Japan. Yuichi, (Ichihara Hayato) a shy teen, is bullied by schoolmate...

Author: /time Magazine | Title: Asia's New Cinematic Values | 4/8/2002 | See Source »

As in Lily, Toshiaki's world is a soul-less wasteland in which hero worship is the only way out. The icon in Blue Spring comes in the form of Kujo (Matsuda Ryuhei), the cool, aloof, recluse of the school. If you were reborn as a camera lens, you'd...

Author: /time Magazine | Title: Asia's New Cinematic Values | 4/8/2002 | See Source »

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