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Of course, there were some individual works of merit that managed to stand out, including Kara Walker’s recent aggressive charcoal drawings (Brent Sikkema, New York); Serse’s stunning pencil drawing (Galleria Continua, San Gimignano); Patrick Jacob’s viewing lens “The...

Author: By Sarah R. Lehrer–graiwer, CONTRIBUTING WRITER | Title: Old Favorites and New Pioneers: New York Art | 3/8/2002 | See Source »

If you’re anything like me, you’ve tried to take this advice seriously, many times —setting aside time to be social, forcing yourself to forego a night of studying to go out to a birthday party, tackling your social life like another...

Author: By Robert J. Fenster, ROBERT J. FENSTER | Title: Remembrance of the Present | 2/28/2002 | See Source »

“The California feel of the natural beauty of the landscape [in Sheng’s photographs], the light, the interiors and the handsome male model parody the commercial photography used in Calvin Klein, Abercrombie & Fitch and Ralph Lauren advertisements,” Hull explains. Hull sees Sheng?...

Author: By Blythe M. Adler, CRIMSON STAFF WRITER | Title: Picture Perfect | 2/21/2002 | See Source »

To resolve this exigency, O’Reilly proposes a move beyond theory and philosophy—beyond art as a lens for social scrutiny. He proposes a return to a simpler aesthetic that values beauty above all and doesn’t concern itself with deeper remarks about the...

Author: By D. ROBERT Okada, CONTRIBUTING WRITER | Title: MetaArt: Constructing Self-Criticism | 2/15/2002 | See Source »

Although the exhibit currently resides in an art museum, daguerreotypy is as indebted to science as it is founded on aesthetics. The technique required a delicate mix of noxious chemicals, absolute stillness on behalf of the subject and precise timing from the operator. Error yielded cloudy phantom shadows, but the...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: An Antique Reality Shines With Everlasting Beauty | 2/8/2002 | See Source »

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