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Out of such obsessiveness emerge images of seemingly effortless beauty. Zhang shows us the unedited six-and-a-half-minute sequence from the Mongolian shoot, a scene so breathtaking it will no doubt earn a place in the cinematic pantheon. Dazzling in red costumes against a pale yellow sun, the...

Author: /time Magazine | Title: Making of a Hero | 1/21/2001 | See Source »

7 FIRST PERSON (Bravo). Filmmaker Errol Morris beautifully shot these profiles of odd obsessives (a squid hunter, an abattoir designer). In his trademark style, he had his subjects tell their stories gazing straight into the lens; their eyes were windows to the surreal.

Author: /time Magazine | Title: TV | 12/18/2000 | See Source »

Art and the Camera: The Photographs of F. Holland Day, at Boston's Museum of Fine Arts, is full of precious works, the produce of a rich New Englander with good intentions and a penchant for Japanese knick-knacks. Looking at "Marble Faun," one wonders how Day took himself seriously...

Author: By Benjamin E. Lytal, CRIMSON STAFF WRITER | Title: AFTERNOON OF A FAUN: THE HEADY SUBLIMATIONS OF REDISCOVERED PHOTOGRAPHER F. HOLLAND DAY | 12/8/2000 | See Source »

When it comes to race, Americans have a history. We allowed race to blind us to the real goals of the civil rights movement in the 1960s, and we continue to allow race to blind us to the goals of the Palestinians. But we are not powerless against these habits...

Author: By Waheed Hussain, | Title: Race and the Middle East | 12/8/2000 | See Source »

In fact, it is mostly through the lens of policy that matters of character have been addressed at all. In contrast to the choreographed visibility of religious affiliation in the American election campaign, Day's conservative Christian value system--he fought for the Alberta government to recognize religious schools and...

Author: By Dalia L. Rotstein, | Title: Canadian Elections: A Primer | 11/21/2000 | See Source »

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