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Selections from George Rochberg's "American Bouquet" offered a completely different view of the guitar's capabilities. His adaptations of "My Heart Stood Still" and "I Only Have Eyes for You" lent an improvisatory, introspective tone to the guitar; it was much like viewing the old melodies through a kaleidoscope. Fisk would have done well to lose himself a little more in the ideas of these pieces, rather than focusing significantly on embellishment. He executed the last selection, a genuine if overly scripted "Notre Dame Blues," With appropriate gusto, smiling visibly for the first time while playing. Perhaps...

Author: By Daniel Altman, | Title: Fisk Embellishes Classical Guitar | 3/9/1995 | See Source »

...liked my core classes," says Bresman, "But it has lent itself to my indecision...

Author: By Marios V. Broustas, | Title: Indecision? | 2/25/1995 | See Source »

More than anything, though, Israelis responded out of a sense that they had simply had enough. As Eli Landau, the mayor of Herzliya who had lent support to Israel's rapprochement with the Palestinians, said, ``If the peace process is paved on the bodies of dead Jews, then I take it back...

Author: /time Magazine | Title: CAN PEACE SURVIVE? | 2/6/1995 | See Source »

...what a big submerged effect Kline must have had on some of the better artists now alive: Richard Serra, for instance, whose dark walls of steel and thickly scrubbed-on black-crayon drawings evoke the same urban-industrial landscape that inspired Kline, or Brice Marden, or Cy Twombly, who lent this show a bunch of Kline's quickly brushed, frail sketches done on now crumbling pages of Manhattan telephone directories. These studies, not incidentally, dispose of the myth that Kline was a wholly spontaneous painter who staked everything on the one-shot gesture. He would make them, mull over them...

Author: /time Magazine | Title: ART: The Man Who Painted IMPACT | 1/23/1995 | See Source »

...expression that great prizes often come in small packages befits the exhibit of paintings from the Joseph B. Hazel Collection at the Fogg Museum of Art. The exhibit shows nearly a dozen gems all contained within one room, sandwiched between galleries of French Romanticism and American Realism. Hazel lent 16 works to the Fogg, but because of a lack of space and the paintings' sensitivity to light, not all of them are displayed. However, these few works can be viewed by appointment...

Author: By Marco M. Spino, | Title: Hazen Collection Creates Impression | 12/1/1994 | See Source »

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