Word: leonard
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Dates: during 1960-1969
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ROMEO AND JULIET. Franco Zeffirelli turns one of Shakespeare's most familiar plays into a movie of stunning immediacy. Leonard Whiting and Olivia Hussey, as the passionate, star-crossed lovers, perform with a maturity beyond their years...
...dangerous game, rewriting Shakespeare, but Romeo and Juliet proves that it can be played and won. An even greater risk was to give the leading roles to a pair of youthful unknowns with virtually no acting experience: Juliet is a tremulous 16-year-old, Olivia Hussey; Romeo is Leonard Whiting, 17. Both look their parts and read their lines with a sensitivity far beyond the limitations of their...
...active McCarthy-Kennedy coalition has formed the Coalition for the New Politics which will work within the party to wrest control from the Doorley machine in Providence and the conservative organization at a state level. With Brown student Leonard O'Brien, chairman of Rhode Island Students for Kennedy, challenging a Doorley candidate in Providence this fall, the liberal move has begun. Leaders of the Coalition are state Sen. Mrs. Eleanor Slater and Newport councilman David Fenton. Sen. John O. Pastore can be expected to aid the old guard if the challenge becomes serious...
...Leonard Bernstein has once more been quoted as saying "the symphonic form is dead" [Aug. 30]. As one of the composers whose symphonies he has championed, I have never heard him utter these words; I have only read them and they have always irritated me. He has never clarified this spurious statement, has himself composed in this form. His repeated performances of my symphonies, the symphonies of Copland, Schuman, Sibelius, Stravinsky, Prokofiev, Shostakovich and many others are sufficient evidence that he is quite wrong. Bernstein's statement is paradoxical, but as long as he himself composes in the symphonic...
Montreal's Leonard Cohen appears to be drifting toward the vortex of popular success. His 1966 novel, Beautiful Losers, a hallucinogenic potion of Iroquois history and art-as-psychosis, has a sizable readership among college students and literate dropouts. Cohen has been documented on an educational television film and interviewed on CBS. His recent move into folk-rock composing and singing has not gone unnoticed either. His song Suzanne, a sweetly eerie and rather self-conscious effort to be both sublimely sacred and sublimely profane, has been recorded by a number of modern minnesingers. His dark brand of sentimentality...