Word: leonarde
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Dates: during 1940-1949
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...Koussevitzky, who is always enthusiastic about new things in rehearsals, glowed that it was classic in form and sometimes "very near to Haydn." The Boston Symphony conductor turned often to his protege, Leonard Bernstein, to remark "Isn't it beautiful?" Bernstein thought it a bore...
...Japanese were not tricked or provoked into the attack; 2) that Army & Navy commands in Hawaii (headed by Admiral Husband E. Kimmel and Lieut. General Walter Short) were remiss in failing "to effect a state of readiness"; 3) that the Army War Plans Division under Lieut (then Brigadier) General Leonard T. Gerow was lax in failing to prod General Short into greater readiness...
...which Koussevitzky enthusiastically describes as "absolutely classic in form until sometimes it is very near to Haydn," and Peter Grimes, a widely touted opera in English by England's Benjamin Britten, commissioned by Koussevitzky and first played in London in 1945. The student production will be conducted by Leonard Bernstein, most famous of Koussevitzky's bright young...
...long ago Leonard Feather, England's gift to the jazz critic's profession, arranged an album for the Victor company called "Esquire's All-American Hot Jazz." It features some of the musicians chosen by the Esquire people, including Mr. Feather, for their 1946 Gold Awards. There are four twelve-inch sides, three of which represent the not quite successful efforts of such noteworthies as Louis Armstrong, Duke Ellington and Red Norvo to turn a trio of Feather's weird compositions into memorable music...
...closing, a word about Leonard Feather is in order. Mr. Feather is another one of our imported critics and as such labors under some of the same handicaps that were sketched here in a previous column about Hugues Panassie. As an arranger and composer he hasn't acquired quite enough of the American jazz idiom. "Mop Up," "My Ideal" and numerous other Commodore records handled by Feather on which numbers of big guns in the jazz world have emitted nothing but pops illustrate comprehensively his type of cramping, pseudo-modernistic, flagrantly artificial arrangements. Here we have the reverse...