Word: leonardo
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...want to get in touch with Master Terrorist Abu Nidal, the number in Damascus is 774236. That jewel of information comes from Mahmud Ibrahim Khaled, sole survivor of the four-man team responsible for the massacre at Italy's Leonardo da Vinci Airport on Dec. 27, 1985. According to senior judicial sources in Rome, where Khaled is being held while awaiting trial, the 20-year-old terrorist feels that he has been betrayed by his comrades and is willing to tell...
...Last Supper, Leonardo da Vinci's masterwork, which is located in the former refectory of Milan's Santa Maria delle Grazie convent, was said to have begun deteriorating almost as soon as it was finished in 1497. The surface cracked because Da Vinci used an experimental primer on the wall. Then came the ravages of flooding, the cutting of a doorway, clumsy restoration and Allied bombing during World War II. But the latest attacks have come from modern tourists...
...artists who followed Leonardo, Michelangelo, Raphael, and Titian searched for new directions to advance their work from beneath the shadow of these great painters. Caravaggio pointed the way. So today, Stella believes, the successors to Picasso, Kandinsky and Pollock must seek a pictorial space as potent as the one Caravaggio developed at the beginning of the seventeenth century...
...exact identity is one of the great mysteries in the history of art. Now almost 500 years after Leonardo da Vinci painted the Mona Lisa, Computer Artist Lillian Schwartz, a consultant at AT&T Bell Laboratories, has set off minor tremors in the art world by asserting that the model for Da Vinci's masterpiece was Leonardo himself. In the January issue of Art & Antiques, Schwartz explains that she used a new computer-model program to juxtapose the famous painting with Leonardo's only known self-portrait. Writes Schwartz: "The relative locations of the nose, mouth, chin, eyes and forehead...
...clown-angel, Otto, terrified by Leonardo Da Vinci and forever mussing his unkempt hair, Edwall gives the performance of a career. Too often in Bergman's films has he been relegated to the position of sideline eccentric; here, as the holy fool, he takes center stage. Edwall seems to take unending delight at sticking his rear at the camera; it's the least of his magic tricks in a role that has him walking through glass walls, pirouetting on a bicycle, and taking rabbit punches from passing evil angels. The only problem is that Edwall's Otto forever upstages...