Word: leonardo
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Dates: during 2000-2009
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...Filonov's analytical art wasn't about mere technique. He took up Leonardo da Vinci's belief that an artist should be more than just a mirror that "reflects objects without having any knowledge of them." Filonov wanted to perceive and render the inner nature of things rather than their external appearances. The artist's real objective, as Kruchenykh put it, was "to see through the world." To achieve that, Filonov wrote to a young colleague back in 1940, "An artist must be a thoroughly educated analyst and researcher...
...solidified her most-Oscar-nominated-actor title, landing a fourteenth for her comic turn as the devilish Miranda Priestly. Kate Winslet could edge out the competition for “Little Children.” At 31, she is the youngest to ever have received five nominations. Best Actor: Leonardo DiCaprio, “Blood Diamond”; Ryan Gosling, “Half Nelson”; Peter O’Toole, “Venus”; Will Smith, “The Pursuit of Happyness”; Forest Whitaker, “The Last King of Scotland?...
...accumulated as part of the centuries-old search for the lost mural. I can't help thinking of Dan Brown, author of The Da Vinci Code, and, indeed, Seracini is the only real-life character mentioned in the book, as the man who "unveiled the unsettling truth" about Leonardo. Seracini has devoted 30 years to the task, interpreting ancient diaries and city records to try to locate the spot where the uncompleted masterpiece was painted. He has proof, he says, that Giorgio Vasari, the artist who renovated this hall in 1563 and painted the mural that covers it today...
...says. He then indicates a 250-sq.-ft. area on the eastern stretch of the Vasari mural, behind which, he asserts, lies the masterpiece. Having looked at sketches and copies of Anghiari, I strain to tap into an inner X-ray to see through the mural to the Leonardo behind. The original, a Renaissance forebear of Pablo Picasso's Guernica, was described by Italian writer Anton Francesco Doni as a "miraculous" rendering of the ravages of war. The battle depicted was a key victory of the Florentine Republic, which may help explain why Vasari was asked to paint over...
...doubts are likely to persist until the outer mural is temporarily removed and the wall behind it is finally opened--if it ever is. For now, Seracini is trying at least to show that Leonardo's mural is likely to be there. To accomplish that, he's using an instrument he developed in collaboration with the University of California at San Diego and Emory University to capture chemical clues of any paint colors that may be present behind the wall. There's a good chance that Culture Minister Francesco Rutelli will grant Seracini permission in the next year...