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...rather surprised to read in TIME, June 30 that Leonardo da Vinci's Virgin of the Rocks is in the Louvre. This painting is usually regarded as being the finest example of Da Vinci's work in this country...

Author: /time Magazine | Title: Letters, Jul. 21, 1958 | 7/21/1958 | See Source »

...Both London and Paris proudly show an authentic Virgin of the Rocks by Leonardo. The version in London's National Gallery is a later one, may have been painted in part by the master's assistants, Evangelisto and Ambrogio da Predis...

Author: /time Magazine | Title: Letters, Jul. 21, 1958 | 7/21/1958 | See Source »

...ogre's mouth-Lasciate Ogni Pensiero Voi Que Entrate (Abandon all thought, ye who enter)-refer to the cup of forgetfulness ancient Greeks thought was drunk before crossing the river Lethe. The dragon-fighting lions (probably an oblique reference to political feuds) derived from a sketch by Leonardo da Vinci. The elephant with castle was a symbol used to depict Eleazar's slaying of the beast of King Antiochus (/ Maccabees 6:17-46), a feat of self-sacrifice interpreted as prefiguring Christ's martyrdom. But many of Vicino Orsini's fantasies remain obscure...

Author: /time Magazine | Title: Art: MARVELS OF BOMARZO | 7/14/1958 | See Source »

Strolling over the Louvre's polished parquet floors, Bazin likes to philosophize on two great portraits. Titian's Francis I (who seems to be examining the jewel of his collection, Leonardo da Vinci's Mona Lisa) and Hyacinthe Rigaud's Louis XIV (loftily surveying the great expanse of the 300-yard-long Grande Galerie). Both have a right to their proprietary air. Bazin feels, since, along with Napoleon, they are among the Louvre's greatest benefactors...

Author: /time Magazine | Title: Art: Masterpieces of the Louvre: Part I | 6/30/1958 | See Source »

Francis I, whose predecessor, Louis XII, is credited with bringing back Leonardo da Vinci's Virgin of the Rocks from Milan (he wanted to bring Leonardo's The Last Supper, but it was impracticable to remove the mural from the wall of Milan's Santa Maria delle Grazie), is responsible for starting the Italian collection. Four of his Da Vincis and six Raphaels are still in the Louvre. When Catherine de Medici, a generation later, erected her own palace on the site of an old tile factory, the Tuileries, more than a quarter-mile away, and suggested...

Author: /time Magazine | Title: Art: Masterpieces of the Louvre: Part I | 6/30/1958 | See Source »

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