Word: leonardo
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Dating in the Renaissance: Students of the Renaissance period invented pseudo-intellecutal dating. Strolling from cathedral to cathedral, these lovebirds gabbed on and on about "frescos," their personal relationship with "Leonardo" and their belief in the rationality of humankind. This method of dating--which often turns into an endurance test for the unsuspecting--is preferred by those who get really excited about Philosophy 192, "Thinking About Thinking...
...Although Giulio Pippi de'Giannuzzi was born in Rome, took the city's name, worked in Raphael's studio and, as a very young man, must have known both Michelangelo and Leonardo da Vinci, it was in Mantua that he found his voice as an artist. As architect and painter to Federico II Gonzaga, he became Mantua's virtual artistic dictator in his 20s and remained so until he died at the early age of 47. There, projects poured from him in an undiverted stream: not only frescoes and panel paintings and the innumerable sketches that preceded them, but also...
...course the most popular thing in Palazzo Te, now as then, is the Room of the Giants, where Giulio (whose taste for apocalyptic catastrophe may have been sparked by talking to Leonardo in Rome) painted Ovid's story of the gods' revenge on the rebellious earth giants. These bearded, stumbling palookas in their peasants' breeches, crushed by the fall of rocks and masonry, are done with literally colossal gusto. The whole windowless chamber seems ready, for a moment, to totter and fall on your head. No room in Italy gives you a clearer sense of the mannerist delight in bizarre...
...culture. Sullivan may not have owned Superman, but he could clone it. He called in cartoonist Bob Kane, then 18, and asked for a similar "super-duper" character. Kane went home, tossed the movies The Mark of Zorro and The Bat Whispers into an imaginary blender with Leonardo da Vinci's flying machine, and dreamed up Batman. The whole process took a few days...
...leading Bolognese artist of the 17th century. For nearly 200 years after his death, he was adored by a long line of connoisseurs and tourists who held him to have been angelically inspired, the greatest painter of his age: as famous in his own way as Michelangelo, Leonardo, Van Gogh or Picasso. Percy Bysshe Shelley thought that if some cataclysm destroyed Rome, the loss of Raphael and Guido Reni would "be alone regretted...