Word: leonardos
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Dates: during 1960-1969
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Hulten's exhibit has plenty of jiggling junk sculptures and blithely bleeping electronic marvels. But it also demonstrates that the artist's love-hate relationship with the machine has a long history. Oldest items on display are Leonardo's drawings for a helicopter and a parachute. Newest are nine works selected by Hulten from entries to a contest sponsored by Experiments in Art and Technology (E.A.T.), an organization that strives to bring artists and technologists together...
...should local units be? Leonardo's figure is perhaps as good as any, but others have been mentioned. Jane Jacobs, an astute urban gadfly (The Death and Life of Great American Cities), says New York should be divided into units of 100,000. A recent Royal Commission recommended reorganizing London into boroughs of about 200,000 (London already has limited decentralization). Author Lewis Mumford, one of the foremost students of the city, is more flexible. A "humanly lovable city," he says, "must range somewhere between 30,000 and 300,000 people...
...years ago in local self-government has run out in the biggest cities." No doubt with some exaggeration, he holds that all cities with populations of a million or more are "too large to be manageable as democratic self-governments." A somewhat similar theme was sounded by Leonardo...
...father showed up with an armful of documents," he recalls. "He finally had documented proof of my origins. I told myself that it really wasn't so bad being a bastard now that I knew I was descended from one of the world's most celebrated bastards -Leonardo da Vinci...
...walls hang graceful, abstract designs that look like snail shells, plus computer variations on op designs by Jeffrey Steele and Bridget Riley. Ohio State University's Charles Csuri, a painter turned programmer, employs EDP (Electronic Data Processing) to sketch funhouse-mirror distortions of Leonardo da Vinci's drawing of a man in Vitruvian proportions. Japanese Engineer Fujio Niwa has produced a computer portrait of John F. Kennedy that converts a photograph into a series of dashes, all of which converge with sinister impact on the left...