Word: leonards
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Practicing the move at the MAC last month, Jessica M. Leonard ’08’s turns were slightly off. In the middle of one foute she kicked into the jumping Jennifer M. Markham ’07, who made a face and jumped away without completing her split...
...Well, what can I say? I'm just glad I'm in great physical condition. I'm not hurt. I thank the Lord. I'm so sorry once again." This was a reference to his only other defeat in 42 matches, 14 fierce rounds against Leonard in 1981. Whatever was removed from him in that fight, more was taken out in this. "It hurts. That's another one staring me in the face." But he praised Hagler--"The man showed his greatness"--and held out hope for himself at 26. "This...
...daughter Charelle, 3, observed, "Daddy, you got a boo-boo, huh?" He laughed at that. "She's so honest." So is he, brutally. "Tommy was very cocky, and I had something for him. This is what you call a sweet victory. I wanted to do it better than Leonard. Tommy predicted the third round: that was the prize. I done did what I had to do. I'm not a politician. I'm a fighter." The next morning, touching the stitch line above his nose, Hagler said, "I'm not scared of blood. Matter of fact, it turns...
Like Sugar Ray Leonard against Roberto Duran, Hearns selected masculinity for a style, if the choice was his. "I started out slugging because I had to, it was there," he insists. "Marvin started running in. I had to protect myself." Like Duran, Hearns learned the leaden lesson of moving a few pounds up, in his case from 154 lbs. to 160, where men no longer fall apart when you hit them...
Spider Woman was filmed in Brazil (in English), directed by the Argentine-born Hector Babenco from a script by the American Leonard Schrader and a novel by the Argentine Manuel Puig. This time the artistic melting pot bubbled to perfection. The film's gaudily stylized performances (notably Hurt's, which has grandeur about it), all its tonalities, both visual and verbal, are pitched one notch above the naturalistic. Thus Babenco may subtly explore issues, both political and psychological, that are usually dulled by moviemakers' earnestness and self-importance. Full of sudden startlements and twists, the film is delighted...