Word: leonide
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Dates: during 1920-1929
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...Waltz of the Dogs. A boast quite as confident if more sensible than that which Author e. e. cummings attached to the program of him (TIME, April 30) is used to introduce this posthumous play by Leonid Andreyev. "This is not a casual play," wrote Author Andreyev; "The Waltz of the Dogs represents the most hidden cruel meaning of tragedy which renounces the meaning and reason of human existence. . . . This is a responsible work and should be produced with deliberate courage...
...group of very young Russians, seated on a marble terrace above the sea (quite in Elinor Glyn's best manner) discussed every subject under the sun, including literature and its High Priest, Leonid Andreyev. On Feb. 12, 1928 (remembered as the birthday of one of them), a group of not-so-young Russians sat in an attic overlooking chimney pots (in the best starving-artist manner), and discussed art-or rather the lack...
...first number of your TIME. For the first time in my life I saw the pictured face of Eugene O'Neill: on my writing table was a . . . portrait of Andreyev. I placed my hand over the lower part of O'Neill's face, and our Leonid's eyes confronted me, his fine brow and wave of dark hair (tidier, though). As to my hopeful expectation regarding TIME it is more than satisfied...
...Died. Leonid Krassin, 56, Russian Soviet Chargé d'Affaires ("Ambassador") at London; in London, of pernicious anemia, after numerous blood transfusions had failed to save his life. "The Bourgeois Bolshevik," he enjoyed the confidence of Lenin and Trotsky although he held much more moderate views than theirs. He negotiated most of the commercial treaty on which Soviet commerce rests today. He was rec ognized as Ambassador at Berlin and Paris, but although he was accredited in London as an Ambassador the British Government never recognized him as anything but a chargé d'affaires. Six thousand British...
Encouraged by the reception of "Beranger," the Dramatic Club now turned to one of the centuries most lertilo in the materials or art and especially the art of the theatre Russia. Leonid Andreyev's the "Life of Man" was the next production. Written by the author of "He Who Gets Slapped" it contained the germs of that play and was held by Andreyev to be the better of the two. Andreyev critics however have disagreed with him on that point, it was an ultramodern play and received ultramodern treatment. New York heard of this latest importation and wanted...