Word: leonora
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Dates: during 1960-1969
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Musically, the production, which was conducted by Zubin Mehta, was a stunning triumph. Grace Bumbry as Azucena brought to the part a strong mellow voice and some of the best acting ever seen at the Met. Leontyne Price as Leonora, Sherrill Milnes as the count, and Placido Domingo as the count's brother all shone musically as they were fatally drawn into the vengeful scheming of Azucena and the doom-filled mood of Merrill's production...
...character is a promising one, and perhaps one day Farrow can play it for what it's worth. For now, she is trapped in a glossy, twittering movie that poses as a psychological horror story. Leonora, an over-the-hill prostitute (Elizabeth Taylor), is accosted by Cencion a London bus. The girl invites her home-where Leonora discovers an eerily familiar face in a photograph. Cenci's dead mum was a ringer for the prostitute. And, vice versa, Cenci reminds the prostitute of her daughter, dead lo these seven years. The two settle down symbiotically in Cenci...
...York Philharmonic. Last week at Man hattan's Philharmonic Hall, the festivities merged as New York began its fall season by vacating the stage to the Viennese. In the Green Room at intermis sion, New York's Leonard Bernstein (who guest-conducted Beethoven's Leonora Overture No. 3 at the concert) embraced Vienna's Karl Bohm and wondered aloud whether the two orches tras might not be brother or sister...
Mary Sindoni as Leonora-Fidelio was the musical heroine of the evening. As lovely vocally as in appearance, she sang the soprano role with taste, showing remarkably little strain in the high register and shifting effortlessly from one register to the other. James Parks as the wicked Governor Pizarro was dramatically the most successful of the soloists. He achieved a characterization where the others only sang well. This is not to slight his vocal capabilities--a bass-baritone, he took the high A in "Ha! Welch'ein Augenblick" and held it painlessly. The only singers supposed to be able...
Flying Colors. Last week Gwyneth Jones was put to her severest test yet, stepping in for the ailing Leontyne Price to sing the demanding role of Leonora in the opening of Covent Garden's new production of II Trovatore. She passed with flying colors, though she was scored for occasionally giving too free a rein to her voice when spiraling into the upper registers. What thrilled the audiences was the raw power of her bright, heroic soprano, a tidal wave of a voice that all but drowned out Tenor Bruno Prevedi...