Search Details

Word: leonora (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Burgess begins simply enough, but we are rapidly sidetracked on a series of unconnected and nightmarish tangents. Beard, shaken by his wife Leonora's grisly and easily forestalled death, enters into an affair with Paola, a young, trendy Italian photographer who astonishingly remembers Beard's name after having seen it in movie credits. (The dust jacket informs us that Paola's photographs "adorn the book," quite a feat for a fictional character and no doubt a surprise to photographer David Robinson.) All is fine and dandy between the two, as uncovered in some badly written bedroom scenes, until Paola must...

Author: By Jefferson M. Flanders, | Title: Muddled ghosts | 12/8/1976 | See Source »

Complications arise in Paola's absence he wants to employ: he careens between badly Beard's deceased wife Leonora starts telephoning him from England. She complains that he has forsaken her, that he has been duped by the doctors and that she, very much alive, is now coming to Rome. Beard is forced to cope with his guilt; he wonders if, like many widowers he is secretly happy to exchange an old wife for a young lover. After all, he asks, how much great literature has been created by widowers bemoaning the loss of their wife? (Burgess...

Author: By Jefferson M. Flanders, | Title: Muddled ghosts | 12/8/1976 | See Source »

...woman in Manrico's life, Leonora, is not much help. In Act IV she tries to secure his freedom by giving herself to the count but bungles the job by dying before Manrico is released, and Manrico goes to the executioner. Why then would anybody want to play poor Manrico? Because his music has the kind of nobility, beauty and stentorian power to make the ear and heart ignore the scornful urgings of the eye and mind...

Author: /time Magazine | Title: Music: Heavyweight Opening | 10/25/1976 | See Source »

...Gianandrea Gavazzeni, 67, whose 50 years at Milan's La Scala include associations with Toscanini, Mascagni and Giordano. Gavazzeni led a performance that was full of controlled excitement; at the same time, he was consistently thoughtful of his singers. His support of Veteran Soprano Renata Scot to (Leonora), who sang the precarious D 'amor sull 'ali rosee in Act IV with extreme caution, was a memorable lesson in podium gallantry...

Author: /time Magazine | Title: Music: Heavyweight Opening | 10/25/1976 | See Source »

Painstakingly checking work records, the FBI narrowed the list of suspects to two Filipino nurses, Leonora Perez, 31, and Filipina Narciso, 29, both of whom were on duty when-and where -most of the trouble occurred. Subpoenaed before a grand jury, the women denied any involvement in the deaths. But at least one of them was directly implicated by a survivor...

Author: /time Magazine | Title: Medicine: Death Follows Art | 3/22/1976 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | Next