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Also scheduled for this summer are some 50 famed legitimate stage stars, including Helen Hayes. Walter Hampden. Willie and Eugene Howard, Jane Cowl, Richard Bennett, Pauline Lord, Fred Stone, Eugenie Leontovich, Ethel Barrymore, and such oddities as Author Sinclair Lewis in his own It Can't Happen Here (Cohasset, Mass.); Accordionist Phil Baker in Idiot's Delight (Dennis, Mass...

Author: /time Magazine | Title: The Theatre: Silo Stagers | 7/11/1938 | See Source »

Sweepings is worthwhile for Lionel Barrymore's full-length portrait of a tight-lipped tycoon and for a smaller but equally perfect study by Gregory Ratoff of the tycoon's jealous but sympathetic underling. Husband of Eugenie Leontovich, a well-known actress in Moscow before the War who acted in Manhattan choruses until Grand Hotel made her famous, Gregory Ratoff's success in the U. S. came a little later than his wife's but with equal suddenness. He was the producer in Once in a Lifetime; his appalling Russo-Semitic accent was what brought...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 3, 1933 | 4/3/1933 | See Source »

...Twentieth Century"-- Broadhurst 44th Street W.--A wonderful comedy of an eccentric actor and a temperamental actress on the limited. Undoubtedly the most entertaining comedy with Eugenic Leontovich and Moffat Johnson...

Author: NO WRITER ATTRIBUTED | Title: BOARDS AND BILLBOARDS | 3/30/1933 | See Source »

...performs not unlike Emil Jannings. He was an officer in the German army during the War, was wounded, acted in The Channel Road, has sung in Manhattan beer halls for a living. The stenographer is played by Hortense Alden (Lysistrata), an ingratiating person with an attractive, chirrupy voice. Eugenie Leontovich, a beautiful lady who came to the U. S. from Russia to dance, turns in an extraordinary piece of acting as the danseuse, making instantly credible a swift series of emotions and setting a new high for plausible stage love scenes. All of these people should be made by this...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Nov. 24, 1930 | 11/24/1930 | See Source »

...Eugenie Leontovich in the part of a pseudo-Baroness is both vivacious and amusing. Moreover, when her real identity as a maid is discovered, she enters into the spirit of the rather vulgar domestic with equal zest. Reginald Owen as an authentic prince is thoroughly royal in the decadent sense of the word. He has his amours, his noblesse oblige, and a sense of humor that fits very well with the American conception of prince-lings on continuous leave. Alan Mowbray as Josef, the valet, is a thoroughly snobbish servant of the more malignant variety. The burden of the comedy...

Author: By H. B., | Title: CRIMSON PLAYGOER | 4/15/1930 | See Source »

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