Word: leopold
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Canada's Communists can be sure that other Mounties are sprinkled through their secret cells. As far back as 1921, Mountie John Leopold went underground to become Jack Esselwein, Socialist house painter and first secretary of the Communist Party in Regina, Sask. In the old days an aspiring Mountie had to be 6 ft. tall, or better. But that was like wearing a "Kick Me" sign in the shadowy world of plain-clothes police work. Today's Mounties only have to measure an "average" 5 ft. 8 in.-and they are busily infiltrating the Montreal heroin syndicates, ingratiating...
...Shadow. Such a compliment is treasured in Houston as a propaganda victory in its cold war with Dallas. In the old days Dallas had all the sophistication, and Houston was a "whisky and trombone town"; the orchestra played Old Black Joe for encores. Leopold Stokowski was hired in the cultural offensive of 1955, and though he greatly improved the orchestra during his 51-year tenure, he also proved himself hopelessly alien to the strange culture of the far west. He called Houston "Hooston," and his chauffeur, in poetic inability to say "Maestro," called the boss "Moscow." When Sir John arrived...
...play for the stereo age. They are hi-fi's first completely successful encounter with a golden age of the piano, and they come with towering endorsements from the old masters (praising the piano rolls) and from such acute modern listeners as Glenn Gould, George Szell and Leopold Stokowski (praising the records...
...Elmer Leopold Reizenstein grew up in Manhattan in a family of decent-hearted intellectual ciphers who owned no books. His mother smothered him in a cocoon of maternal affection; his father, an epileptic, mainly embarrassed the boy. But there was Grandpa, who took him to plays at the German Theater in Irving Place at an early age, and Uncle Will, who offered to slip him the money for his initial excursion into...
...schnitzel, but romantic nonetheless. Published posthumously, the five solos, two duets and final quartet of Schumann's second Spanish-cycle are recorded for the first time. The two-piano team of Arthur Gold and Robert Fizdale share high honors with the singers, notably Soprano Lois Marshall and Tenor Leopold Simoneau. On the other side of the record are Brahms's Liebeslieder Waltzes, which are also written for four hands and four voices...