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...festival crowns the Philharmonic's centennial year. It crowns, for Toscanini, a sporadic season of conducting. A year ago, when the maestro ended his 1940-41 season with the NBC Symphony Orchestra, he would not decide to continue for another year. NBC made other plans, secured Leopold Stokowski as its star conductor. Other orchestras pressed the conductor for guest appearances. He finally succumbed. Since November, he has conducted eight Philadelphia Orchestra concerts, five NBC Symphony broadcasts for the Treasury Department (for which he took no pay), has also done more recording for Victor than in any previous year...

Author: /time Magazine | Title: Music: Reunion in Carnegie | 5/4/1942 | See Source »

When Toscanini left the Philharmonic in 1936, the orchestra was on close competing terms with Serge Koussevitzky's Boston Symphony and Leopold Stokowski's Philadelphia Orchestra. Then the Philharmonic pinned its faith on short, swart John Barbirolli, who proved an able welterweight, but no world champ. The Philharmonic went into a slump. Attendance dropped from 86% of capacity to 81%. This season, partly to celebrate its centennial, partly to lift its dwindling prestige, the Philharmonic gave its subscribers a glittering stream of guest conductors. An erratic season, it produced some half-empty houses, but attendance rose...

Author: /time Magazine | Title: Music: Reunion in Carnegie | 5/4/1942 | See Source »

...alien control of Luscombe Air plane Corp., almost all in the hands of Leopold H. P. Klotz, now of New York City, formerly of Liechtenstein. Luscombe also got a new chairman (Chicago investment banker Matthew J. Hickey) and president (Lee N. Brutus, production man from Waco Aircraft). The seizure was at the express request of the U.S. Navy, for whom tiny Luscombe makes trainers and engines...

Author: /time Magazine | Title: ALIEN PROPERTY: Clean Slate at Aniline | 4/20/1942 | See Source »

...reverberation, it was acoustically satisfactory for variety shows, bad for symphony concerts. (The best auditoriums allow tones to bound about and scatter until they attain depth, warmth.) Toscanini accepted 8-H uncomplainingly, but admitted it was "too sec." Musicritics complained about the studio's woolliness. Last fall, when Leopold Stokowski took over the NBC Symphony, he balked at playing in Studio 8-H, induced NBC to accept an inconvenient, expensive substitute: moving the orchestra to Manhattan's Cosmopolitan Opera House...

Author: /time Magazine | Title: Music: Floodlighting Sound | 4/6/1942 | See Source »

Last week Leopold Stokowski led the NBC Symphony again, this time in 8-H. Beethoven's Pastoral Symphony never sounded more lush and verdant. Studio audience, radio listeners and critics were happy. The reverberations were all they should be; radio's biggest concert hall had at last become musicianly. Explained Stokowski: ''We found a way to floodlight sound...

Author: /time Magazine | Title: Music: Floodlighting Sound | 4/6/1942 | See Source »

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