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...left out even more. Did the major themes politics and adultery really come together in the end? In handling the triangle subtly and tastefully, had he lost too much emotional conviction? Some felt that Camelot begins on Broadway and ends in Bayreuth; phrasemakers are already calling the show "Lerner's Parsifal...

Author: /time Magazine | Title: Show Business: THE ROAD | 11/14/1960 | See Source »

...Once and Future King, T. H. White managed to darken the theme as gently as the coming of evening. White had 677 pages and Lerner has but three hours. In Camelot, Lerner moves from comedy to tragedy as if he were blowing out a candle. Another problem is that Lerner seems to stop shy of the most tragic moments not only Arthur's death but Guinevere's trial and rescue, which, in the script as it stood last week, was only related in an awkward "standup oratorio." Perhaps L. & L.'s biggest problem is to find a way of telling...

Author: /time Magazine | Title: Show Business: THE ROAD | 11/14/1960 | See Source »

...than many shows in tryout. One prospective first-nighter who declared himself unworried was T. H. White, who will get 1% of the gross, or about $3,000 a month for the life of the show. From his home on the remote Channel island of Alderney, he wrote to Lerner: "For God's sake, forget about me. I want Camelot to succeed as a musical. Put in bubble dancers if you want." To his pen pal Richard Burton he wrote: "I hope it will be borozonic. I will be there on opening night, the old gentleman in the sixth...

Author: /time Magazine | Title: Show Business: THE ROAD | 11/14/1960 | See Source »

Moving the multicolored pavilions of Camelot toward Broadway, Lerner and Loewe last week were in Boston, bumping into the great shades of past tryout seasons, from Babes in Arms to South Pacific. (Richard Rodgers once swore he would never open so much as a can of sardines without going to Boston first.) A uniquely American practice, the road tryout is as formalized as the judicium Dei the ordeal of the Middle Ages. The road ordeal is by rewriting and cutting, by sleepless nights and interminable waiting, by cold coffee and warm highball, by panicky rumor and wild hope. Severely tested...

Author: /time Magazine | Title: Show Business: THE ROAD | 11/14/1960 | See Source »

Still on everyone's mind was the trouble that had very nearly turned Camelot from a musical into a medical. In Toronto, where the show opened six weeks ago, Lerner led off with a bleeding ulcer, was in hospital for ten days. Director Moss Hart followed with a coronary thrombosis (his second), went off to the same hospital, same room, and indefinitely out of Camelot...

Author: /time Magazine | Title: Show Business: THE ROAD | 11/14/1960 | See Source »

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