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...VERY BEST OF COLE PORTER (MGM) is one of a seven-disk series that includes "the very best of" Gershwin, Rodgers and Hart, Kern, Romberg, Lerner and Loewe, and Berlin. The records have too many humdrum instrumental numbers, but occasionally are brightened by the voices of singers worth listening for: Lena Home, Judy Garland, Mel Torme, Rosemary Clooney, Helen Traubel, Kate Smith and Maurice Chevalier. The Porter, for instance, has Louis Armstrong (You're the Top), Eartha Kitt (Always True to You in My Fashion) and Margaret Whiting (Just One of Those Things...

Author: /time Magazine | Title: Television: Nov. 20, 1964 | 11/20/1964 | See Source »

...FAIR LADY. The movie version of the Lerner-Loewe musical classic is big, bountiful, and beautiful as ever, with Rex Harrison repeating his Shavian tour de force opposite Audrey Hepburn, who is a passable flower girl and a Lady second to none...

Author: /time Magazine | Title: Television: Nov. 20, 1964 | 11/20/1964 | See Source »

...FAIR LADY. Audrey Hepburn seems delightfully right as the cockney flower peddler transformed into a lady by Professor Rex Harrison, and the happy news is that this lush, eye-filling adaptation of the Lerner-Loewe musical delivers a round $17 million worth of elegant escapism...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Nov. 13, 1964 | 11/13/1964 | See Source »

...Fair Lady is indestructible showmanship. The Lerner and Loewe Cinderella tale based on Bernard Shaw's Pygmalion sets Shavian sparkle to music with such unerring good taste that it could probably be performed in Urdu by a cast of untouchables without suffering serious damage. Hollywood, praise be, can do a whole lot better than that. In this literal, beautiful, bountiful version of the most gilt-edged attraction in theater history, Jack Warner has miraculously managed to turn gold into gold. Last week, sporting all her familiar tunes along with a fall collection of eye-popping new finery, Fair Lady...

Author: /time Magazine | Title: Cinema: Still the Fairest One of All | 10/30/1964 | See Source »

...memorable with or without music. Another holdover from Broadway is Stanley Holloway, raffishly repeating his role as Eliza's father, a dustman-turned-moralist who speaks some of Shaw's most corrosively funny lines-wisely preserved intact-then stops the show with the gritty low comedy of Lerner's Get Me to the Church on Time...

Author: /time Magazine | Title: Cinema: Still the Fairest One of All | 10/30/1964 | See Source »

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