Word: leroux
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Dates: during 1980-1989
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...lures are known commodities: Composer Andrew Lloyd Webber (Cats, Jesus Christ Superstar) and Director Harold Prince (Cabaret, Follies) have mounted some of the flashiest spectaculars of recent years, including their prior collaboration, Evita. Practically everyone, it seems, has seen a movie version of Phantom, although few have read Gaston Leroux's turgid 1910 thriller about the hideously misshapen genius who constitutes himself the shadow ruler of the Paris Opera House and, upon becoming infatuated with a chorine, maneuvers her career from afar. The beauty-and-the- beast theme and subterranean wonderland setting echo the myths of Persephone, Pygmalion and Faust...
What would provide the most stimulating change of pace after Starlight Express's romance of the rails? For Andrew Lloyd Webber it was the sweep and dash of pure old-fashioned romance. He found it in French Novelist Gaston Leroux's 1910 thriller Le Fantome de l'Opera, long a standby for stage and screen adaptations (notably Lon Chaney's 1925 silent horror film). The version devised by Lloyd Webber and Librettist Richard Stilgoe dispensed with much of the novel's narrative superstructure to focus on two characters: the gruesomely disfigured genius who haunts the Paris Opera and the young...
...copyright on Gaston Leroux's 1911 thriller The Phantom of the Opera expired this year, plans were announced for no fewer than three competing musical adaptations. The flurry of interest was perplexing. Leroux's tale, part horror melodrama, part bodice-ripping gothic, seemed too grim and kinky for a musical. The central character is, after all, not only hideously ugly but an extortionist, kidnaper, incendiary and megalomaniac -- and the heroine must at least halfway fall in love with...
...team player. He understood the dynamics of 25 guys trying to win 162 ball games a year and resents anyone who tried to interfere with that. Throughout their history the Red Sox's greatest obstacle has been the team's management and front office. The current Haywood Sullivan-Buddy Leroux power struggle over the team is only the long sorry history of bungled trades, bad player management and outright stupidity. Although he does it indirectly, Lee paints a very clear picture of what has, is and probably always will be wrong with...
...have also heard enough about the city's favorite three-ring-circus--LeRoux, Sullivan and Yawkey...