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Word: leroyer (lookup in dictionary) (lookup stats)
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...high jump was not the only strong performance for the Crimson women, as the squad took six events on the day. Although some races featured very few competitors, Harvard still took encouragement from individual winners Olivia Weeks, Sydnie Leroy, and Ashtynn Baltimore—all rookies. Weeks took the long jump in 5.53 meters, while Leroy claimed the pole vault title and Baltimore the 60-meter dash...

Author: By Max N. Brondfield, CRIMSON STAFF WRITER | Title: Women Win, Men Second At Home | 1/25/2010 | See Source »

Freshmen Ashtynn Baltimore and Olivia Weeks won the 60-meter hurdles and triple jump, respectively, while classmates Sydnie Leroy and Meghan Ferreira took second in the pole vault and third in the 60-meter hurdles...

Author: By Max N. Brondfield, CRIMSON STAFF WRITER | Title: Track Racks Up Six Wins At Invite | 1/18/2010 | See Source »

Rookies Sydnie Leroy, Shannon Watt, and Meghan Ferreira all notched top-10 finishes in their respective events. Leroy took fifth in the pole vault—second among collegiate entrants—while Watt improved by over a meter since her last competition in the shot put, taking fifth with a throw of 13.33 meters...

Author: By Max N. Brondfield, CRIMSON STAFF WRITER | Title: Track Races to Strong Showing at Dartmouth Relays | 1/13/2010 | See Source »

...every five years, always coincide with the annual Montage Concert, a centerpiece of the University Band and the subsidiary Wind Ensemble and Jazz Band. This year, the montage concert featured the Harvard Medley, a special arrangement of Harvard songs that was created by former Band Director and famous composer Leroy Anderson, the man behind the memorable holiday tune “Sleigh Ride.” The medley included such favorites as “Harvardiana,” “10,000 Men of Harvard,” and “Up the Street...

Author: By Clio C. Smurro, CONTRIBUTING WRITER | Title: HUB Marches Through Time | 11/2/2009 | See Source »

...musical tastes have evolved, however, the institution of concert bands has regrettably come to occupy a narrower and narrower niche. Dwindling audiences at performances—even at Harvard, which has boasted such greats as Leroy Anderson and Leonard Bernstein—are the surest indicator of such a transition. Those seeking high culture these days often gravitate to grand symphony orchestras specializing in post 18th century European music or else perform adaptations of popular music...

Author: By Bilal A. Siddiqui | Title: Winds and Brass Forever | 10/8/2009 | See Source »

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