Word: les
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Dates: during 1950-1959
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...hero worship that was once reserved for the touchdown-happy backs. In Detroit, Joe Schmidt can do nothing wrong, although his Lions (2-6-1) can do nothing right. In San Francisco, small boys speak in awe of the thundering tackles of Jerry Tubbs. At a banquet in California, Les Richter of the Los Angeles Rams diagramed defenses for a solid hour and enthralled U.C.L.A. Physicist Joseph Kaplan, chairman of the U.S. International Geophysical Year Committee...
...first two lines of the poem Chanson d'Automne, by the 19th century French poet Paul Verlaine. During a haggard all-night listening session on June 1, one of Meyer's 30-man radio-interception crew heard and taped the first part of the message: "Les sang-lots longs des violons de I'automne [The long sobs of autumn's violins].'' Meyer immediately telephoned Rommel's and Von Rundstedfs headquarters and tele-typed the message to General Alfred Jodl, Hitler's chief of staff at Berchtesgaden. Jodl did nothing, on the assumption...
They loved it. The Cheaters, a fairly daring film about les blousons noirs (the black jackets, as the French call their juvenile delinquents), was made on the cheap by an oldtimer named Marcel Carne (Children of Paradise), and it became one of the biggest hits of 1958. It was followed by another low-cost smash called The Lovers, directed by Louis Malle, 27. Suddenly, the New Wave was rolling, and on the crest of it dozens of ambitious young cinéastes went surfboarding to success. In the past twelve months, according to the French Film Office, at least...
...youthful excesses, even though many audiences have been disturbed by the curious sense of moral vacuum in many of the pictures. Aside from a general distaste for bourgeois respectability and a slight leaning toward the left, very few of the films express any moral or spiritual convictions whatever. Nevertheless, Les Vaguistes have their principles. They hate commercialism. They prefer to make pictures on subjects of their own choice. They would rather use unknown actors. "They speak of cinema," says one critic, "as of a religion.'' So far, it seems to be a religion in which demons figure more...
...Europe." In this macabre mountain spot appears the novel's hero: Paul Davenant, a British World War II veteran, lately a Cambridge student, now sick and broke. He is a charity case who, with many others, is supported by an international student association at a sanatorium called Les Alpes. Davenant hopes, as do all the patients, that Les Alpes is only an interlude, a place where bracing air, good food, and the wonders of modern medicine will bring back a normal life and freedom from the threat of relapse. Many of the patients are graduates of other sanatoria...