Word: les
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...seen in the "critter labels" on other nouveau French wines, such as Thierry Boudinaud's Fat Bastard Chardonnay, with its trademark hippo, and Domaine Font Mars' Cabernet Sauvignon, whose labels feature dinosaurs, a nod to the vineyard's fossil-rich soils. And the owner of the Lacheteau vineyard, Les Grands Chais de France, whose wines represent a fifth of the country's total exports, launched a line in 2005 with labels showing cartoon farm animals to indicate the types of meats that best complement the wines...
...have all the political drama of the 2006 play “Frost/Nixon” with none of the real-world importance. The Election Commission could sing a power anthem such as “Do You Hear the People Sing?” from “Les Misérables,” while UC Vice President Kia J. McLeod ’10 might perform a heartfelt rendition of “On My Own.” It would close after opening night because, really, nobody cares...
...possible way, how to impress a girl and, like Icarus, he discovers what happens when you get too close to a star. He rubs elbows with plenty of real people who were fast becoming Welles' loyalists, like Houseman, Joseph Cotton (James Tupper), George Coulouris (Ben Chaplin) and radio star Les Tremayne (Michael Brandon) as well as one fictional dream girl, Sonja (Claire Danes), a Vassar grad who functions as the production's girl Friday and occasionally, as Welles requires it, geisha to the resident genius. (Watch an interview with Zac Efron...
...with embarrassment and even shame. "The Hand of God" was the ironic headline in France's sports daily l'Equipe, a reference to the notorious hand punch Argentine striker Diego Maradona admitted he'd used to score the winning goal over England in a 1986 World Cup quarterfinal match. "Les Bleus: Hands Up," echoed Libération in its coverage of what it called France's "holdup" of the Irish team that had utterly dominated Wednesday's game prior to Henry's pawing of the ball...
...photographs at the Art Institute of Boston reveals a decided inconsistency; it is as if the exhibition is shared by two different photographers, with different styles and approaches to conveying emotion in a photograph, rather than being the work of just one artist: Guatemalan Luis Gonzáles Palma.The exhibition, “Hierarchies of Intimacy,” will run through October 25. “Intimacy” is presented as one cohesive collection, but is actually divided between small, sepia-toned images and much larger color digital prints. The Kodalite photographs of the former category, mounted...