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...ageless melodrama in all its florid glory. This scene, from Louis Feuillade's 10-part serial Les Vampires, was shot in 1915, the year of The Birth of a Nation. D.W. Griffith's epic, a masterpiece of film form, creaks today. But Les Vampires, with thrill upon stunt upon criminal chicanery, is as modern as Rush Hour or The X Files. In Waterbearer Films' ravishing 6-hr. 40-min. video edition, restored by David Shepard with its color tinting and long-lost intertitles, Les Vampires is revealed as the prototype and apotheosis of every hurtling action film and devious crime...

Author: /time Magazine | Title: Serial Thriller | 10/12/1998 | See Source »

...villains are the stars: smarter, snazzier. They scamper over the roofs of Paris in their Spider-Man skivvies; they perform the great stunts; they are the master spies, the mad bombers, the killer caterers. And in Irma Vep (played by Musidora, fetchingly saturnine in pancake makeup and black tights), Les Vampires gave us film's first modern woman. No wonder the Paris police banned an episode for depicting "exalted evil...

Author: /time Magazine | Title: Serial Thriller | 10/12/1998 | See Source »

With all due respect to Griffith, Les Vampires was the movie event of its year. And now of this...

Author: /time Magazine | Title: Serial Thriller | 10/12/1998 | See Source »

...agent have done well. The easily-excitable brunette entered Harvard this year already an accomplished actor. At age eight, Riegel and her grandmother moved to New York City from Arlington, Virginia, when she was offered a switch from playing the younger version of Cosette in the touring company of Les Miserablesto the Broadway show...

Author: By William P. Bohlen, CRIMSON STAFF WRITER | Title: Behind The Scenes With The Yard's Latest Child Star | 10/2/1998 | See Source »

Just now Crowley, 45, is the Gershwin of designers. With his 1987 Broadway debut, Les Liaisons Dangereuses (all those elegant, suffocating drapes!), and 1994's Tony-winning Carousel (a small town in idyllic greens and blues), the kid from Cork, Ireland, showed the breadth and iridescence of his gifts. This year he had three new Broadway shows: Twelfth Night, the Oscar Wilde bio-play The Judas Kiss and Paul Simon's The Capeman. Amid the rubble of Capeman's reviews, Crowley earned praise for his expressionistic perspectives of uptown tenements and upstate jails. He is now at work on four...

Author: /time Magazine | Title: Theater: Humming the Sets | 8/31/1998 | See Source »

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