Word: lesbian
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Dates: during 1970-1979
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...become a successful artist, Toshio knows, and when the two meet again, as of course they must, she brings with her a beautiful art student named Keiko. It is clear that Otoko still has deep feelings for Toshio. It is also clear that she and Keiko share a lesbian love. And before long it is obvious that Keiko has come to like very much the dismay she causes when she is capriciously cruel. She sets out, giggling, to seduce Toshio and to ruin his son. What is unsatisfactory about this is not that it rings false, but that it does...
Linda Lawrence, a Boston schoolgirl, tells the crowd she is called a "nigger lover." A man in the crowd shrieks with delight. "Oh yeah! My woman's called that too..." Bebopping through the crowd, he stops to hassle a lesbian wearing a "Dyke" button...
...witness a struggle between Deeley and Anna for the possession of Kate. Deeley knows the emptiness of his marriage with Kate, and he is driven to the wall by Anna's sinister exploitation of this weakness, in order to win Kate back to the sensual and aesthetic lesbian relationship of twenty years before. Deeley's counter-attacks turn on his attempt to establish his male dominance by fabricating past confrontations in which women are degraded. If he can force the two women to subservient roles, his validity as a husband will be unquestioned...
...with her Japanese husband Fumio, she had to deal with the more bizarre aspects of what she calls the movement's "fascist era." Speaking at meetings all over the country, she was assaulted by the sisters: "We want to know why you signed your book." "Are you a lesbian? Say it. Are you?" When Millett revealed her bisexuality, she was promptly branded, as she puts it, "a lesbian in ninety-three languages." That coming out was no party...
...spot problems of the underdog. Unremittingly quarrelsome, wordy and underedited, the Voice also captures the funky, ingrown perspective of Greenwich Village. Its reviewers, including such first-rate critics as Nat Hentoff and Andrew Sarris, dig up underground entertainment far from Broadway or first-run moviehouses. Columns by Militant Lesbian Jill Johnston flow endlessly, devoid of all punctuation, capitalization and-usually-sense...