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...curtain hog, she has been known to refuse to take a solo curtain call after the third act of Manon Lescaut because "it is the tenor's act." Her patience with her fans is apparently limitless: she will sit hour after hour backstage after exhausting performances, dutifully signing autographs ("Poor things," she murmurs, "poor things"). She still regards public figures outside opera with the awe of a country girl on her first trip to the city. Several years ago she heard about the "Night in Monte Carlo" ball at Manhattan's Waldorf-Astoria, at which Prince Rainier...

Author: /time Magazine | Title: Music: Diva Serena | 11/3/1958 | See Source »

...operatic recordings gushing forth in unprecedented profusion, the life of a globetrotting soprano has taken on a frenetic quality that would have astounded the great voices of a more leisurely age. Tebaldi will sing 22 performances at the Met this season (Tosca, Cio-Cio-San, Mimi, Desdemona and Manon Lescaut), will then take a swing about the country on a recital tour, move on to Havana, Rome, Naples, then make her Paris Opera debut, go on to the Vienna Opera. July will be given over mostly to new recordings in Rome. Tebaldi's pace would probably be even more...

Author: /time Magazine | Title: Music: Diva Serena | 11/3/1958 | See Source »

...walk through for fear of meeting creditors. Puccini scored a critical success with his first opera, a one-acter entitled Le Villi, but he did not win a large following until at 34 he collaborated with his two most successful librettists, Giuseppe Giacosa and Luigi Illica, to produce Manon Lescaut. After that his popular success was secure...

Author: /time Magazine | Title: Music: Salute to Puccini | 7/14/1958 | See Source »

...nude girl pressed against a grated window in Venice. "This," he said, "is the kind of libretto I want for my next opera." Failing in his lifelong search for a girl who combined frailness with sensuality, he built those qualities into a procession of operatic heroines - Manon Lescaut, Mimi in Bohème, Cio-Cio-San in Butterfly, Liù in Turandot. His obsession with swift love followed by swifter death gave his work a narrow emotional range, a failing of which he was conscious. He envied Wagner his heroic themes and majestic brasses, idolized Verdi's poetic tragedies...

Author: /time Magazine | Title: Music: Salute to Puccini | 7/14/1958 | See Source »

Metropolitan Opera (Sat. 2 p.m., ABC). Puccini's Manon Lescaut, with Albanese and Bjoerling...

Author: /time Magazine | Title: TELEVISION: Program Preview, Apr. 2, 1956 | 4/2/1956 | See Source »

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