Word: less
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Dates: during 1960-1969
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...before the bust) there were so few committees that either people knew what they were, or they didn't know and couldn't care less. James Q. Wilson knew what the Wilson Committee was, for instance. But as he complained to the CRIMSON in late March, just before the close of the EBB, no one else knew or cared. Not the Faculty or the students...
...last year gave the University 25 percent less than Harvard had expected, Richard G. Leahy, assistant dean of the Faculty for resources and planning, said yesterday...
...most revealing aspect of the Crimson is the deep almost physical attachment most Crimeds have for the building at 14 Plympton Street, for the other people who help put the paper out, and for the integrily of the paper. The attachment is not less amazing if you consider the less than elegant decor of the building, the often bizarrely heterogeneous natures of the dozens of students who make up the Crimson , and the inescapable hard work that goes into...
BRUCE BAILLIES films stand outside of any perceptible trend in the avant-garde. While most artists are engaged in some species of radicalism. formal or political, Baillie's vision harkens back to an earlier time and a less painful consciousness-the beat sensibility of Ginsberg and Snyder. Struggle somehow seemed simpler then: perhaps the enemies all came in capital letters. It was Technology against poetry back in the fifties Machines against men, Moloch bludgeoning Blake...
...works that follow it, less ambitious in scope, are more successful. Probably the best of these later films is Valentin de las Sierras, made in Mexico. Rather than unify the film through a central protagonist's experience, Baillie portrays the world as a child sees it, conveying a clear sense of wonder through close-ups and impressionistic hand-held camera work. Shots with specific meanings reoccur in a variety of contexts, and characteristic Baillie imagery-a dark horse, an unlit entryway-rearranges itself according to a child-like vision...