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Word: less (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Arvid Jouppi, who follows the industry for Keane Securities in Detroit. The boom has flooded the market with used cars, which are now selling at a steep discount, making them a more attractive alternative to new models. A two-year- old Ford Tempo, for example, sells for $3,500 less than...

Author: /time Magazine | Title: How Motown Lost Its Big Mo | 7/31/1989 | See Source »

...Christ had not even seen the movie. So do we guarantee freedom of speech only for the broad-minded or the better educated? Can one speak only after studying whatever one has reason, from one's beliefs, to denounce? Then most of us would be doing a great deal less speaking than we do. If one has never seen any snuff movies, is that a bar to criticizing them...

Author: /time Magazine | Title: Essay: In Praise of Censure | 7/31/1989 | See Source »

...nuns, or confiscate scores of schools and convents. But last week all that was swept aside with a long-awaited, historic announcement. Resuming a "noble tradition of many centuries," the Holy See and Poland have re-established diplomatic relations, declared the official church communique, delicately omitting mention of less-than-noble events during the protracted ecclesiastical cold war with the nation's leaders that began...

Author: /time Magazine | Title: Religion: No Longer Poles Apart | 7/31/1989 | See Source »

...this extreme aesthetic are still visible today in the ghoulish makeup and gestures of butoh dancers. Similarly, Shoko Maemoto creates souvenirs from a nightmare alley where fairy- tale fantasy meets a haunting eroticism. Meticulously executed, her work has a grisly elegance, as in Silent Explosion, 1988, a mannequin-less burlap hoopskirt from which a torrent of "blood" cascades, blazing, to the floor...

Author: /time Magazine | Title: Art: No More Tributes to Mount Fuji | 7/31/1989 | See Source »

...paintings like Manet's Olympia. Tomiaki Yamamoto melds brushy abstract expressionism with the pattern-oriented design sensibility of traditional Japanese textiles. Often his splashy tableaux resemble spread-out kimonos. Typically, as in Untitled, 1985, they are covered with an obsessive, all-over rash of heavily impastoed, drippy dots. Far less theatrical but also keenly focused on subject matter and technique, sculptor Katsura Funakoshi creates blank-faced portraits of everyday people whose looks betray neither race nor nationality. Made from camphorwood, his torsos are as skillfully carved as the ancient Buddhist sculptures whose construction they recall. Psychologically intense, they are also...

Author: /time Magazine | Title: Art: No More Tributes to Mount Fuji | 7/31/1989 | See Source »

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