Word: less
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Dates: during 1980-1989
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...vision of Western goals that transcend the cold war struggle. The necessity to contain Soviet influence often led U.S. policymakers to suppress America's natural idealism and support regimes whose only redeeming grace was their anti-Communism. To the extent that Gorbachev's new thinking makes that less necessary, it frees the U.S. and the West to pursue more positive goals. Among them: attacking environmental problems that cannot be solved on a national basis; shaping aggressive new methods for containing the spread of nuclear, chemical and biological weapons; reducing world famine and poverty; resolving regional conflicts...
...other Western military experts who took a hard look at the numbers Gorbachev ticked off in his sweeping U.N. speech were less impressed. "What counts isn't what he's taking out, assuming he does, but what remains," observed former Secretary of Defense Caspar Weinberger, the skeptical architect of the Reagan Administration's $2.4 trillion defense buildup. Soviet superiority in conventional forces in Eastern Europe is so great, claimed Jimmy Carter's Defense Secretary Harold Brown, that the cuts will not significantly reduce their advantage. Said Brown: "If war were to break out today, I would not have very much...
...Soviet pullback of roughly 10% of the Warsaw Pact's European-theater aircraft, while not large, would signal a shift toward a defensive stance. The cut in artillery would be a hefty 20% slash in existing Warsaw Pact firepower along the central front. But the total cut is less significant; the Soviet bloc could still field some 34,900 artillery pieces, mortars and rocket launchers against NATO...
...dramatic: 3 lbs. a week for women and 5 lbs. for men. The fasting phase of the diet, which generally lasts from three to six months, is pricey: about $100 a week (part of which may be reimbursed by medical insurance). After hitting their goals, patients go on less expensive maintenance programs, designed to help them fend off cravings to overeat...
Welcome to the world of English writer Dennis Potter: a nightmare realm of domestic violence, scored to the haunting lilt of pop standards. His output embraces dozens of television plays, half a dozen screenplays and two novels. But the range of Potter's work is less impressive than its searing ferocity and compassion. His haunted characters dwell in the surreal land we all inhabit, as we float vagrantly from suffocating reality to liberating fantasy, from pessimism to possibility, from fear to hope -- and then back, always back again, when we realize that the conditional tense holds even more horror than...