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...lesser-known TV preacher in New Orleans, Marvin Gorman, then sued Swaggart over another whistle-blowing incident. Gorman said Swaggart had lied by accusing him of repeated instances of adultery when, in fact, he was guilty ) of only one. That, said Gorman, was worth $90 million in damages. Responds Swaggart: "I think I'm more of a victim than anything else...

Author: /time Magazine | Title: Evangelism: TV's Unholy Row | 4/6/1987 | See Source »

...many of the lesser-known things in this show -- like the dense and acerbic paintings of Degas's friend Walter Richard Sickert, or Matthew Smith's responses to fauvism, or the work of the vorticists around 1914 (Wyndham Lewis, William Roberts, Henri Gaudier-Brzeska), or that of individuals like Stanley Spencer, David Bomberg, Jacob Epstein and Paul Nash, and so on through to the post-'60s paintings of men like Lucian Freud, Leon Kossoff, Frank Auerbach, R.B. Kitaj and Howard Hodgkin -- now strike us as not just a footnote to, but an essential part of, the visual culture...

Author: /time Magazine | Title: Art: Singular And Grand | 4/6/1987 | See Source »

...lesser-known Crimson swimmers to shine--namely

Author: By Joseph Kaufman, | Title: Swim Teams Stage Big Red Massacre at Blodgett | 2/17/1987 | See Source »

There are some delightful "pure" works of art in this show, like Alexander Calder's little maquette for a huge motorized sculpture at the New York World's Fair -- a small, sharp orrery with strong cosmological overtones. There are also some rarities by lesser-known artists, notably the huge cubist- derived portrait of the workings of a watch by Gerald Murphy, the American expatriate on whom Scott Fitzgerald was to base his character of Dick Diver. . But compared with the knockout confidence of the work of engineers and designers represented in this show, the machine-esthetic painting...

Author: /time Magazine | Title: Design: Back to the Lost Future | 12/22/1986 | See Source »

Maybe a little too hard. The new Union Station is the work of the Rouse Co., developer of the charmingly urban Harborplace in Baltimore, the charmingly urban Faneuil Hall Marketplace in Boston, the charmingly urban South Street Seaport in New York and several lesser-known charmingly urban shopping-and- eating entities. These profitable developments are distinctly funk free, but they are not ugly. If it takes an artificial heart to save a dying downtown, as Harborplace probably saved Baltimore, why complain? The problem is programmed quaintness: Ghirardelli Square was a revelation 20 years ago, a copy or two elsewhere were...

Author: /time Magazine | Title: Design: New Gilded Age Grandeur | 9/2/1985 | See Source »

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