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Word: lesser (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...like to talk about himself"); Mary McCarthy in Paris ("vibrant and intuitive, she doesn't come on as a bluestocking"). Duffy finds that "most serious writers are self-conscious and reticent. They aren't used to being interviewed, and they're wary." Authors of lesser stature are more talkative. Erich Segal (Love Story) met Duffy for lunch at a Manhattan restaurant and was "like a hot fan blowing in my face." She found Jacqueline Susann (Love Machine) to be "hardworking, rather aggressive and wanting to mother everyone in sight...

Author: /time Magazine | Title: A Letter From The Publisher, Apr. 17, 1972 | 4/17/1972 | See Source »

...dilemma is painfully difficult. He has come across as a fuzzy Establishment kind of politician in a year when voters seem in revolt, and has been unable to put his brand on any issue that can attract that fed-up, turned-off voter. If he cannot beat such lesser-known Democrats, how can he be seen as the man to beat Nixon? "He's got to find the ways to tap the anger and frustration that people have about big government and big business," says Senator Tunney, one of his now-disillusioned supporters. "I know Muskie favors reform...

Author: /time Magazine | Title: The Nation: What Happened to Muskie? | 4/17/1972 | See Source »

...impact of Resnais's films, the strength and innovation of their style, suggests the romanticized image of the forceful and eccentric creator-director, a la Godard or Bergman. In fact, Resnais unpretentiously claims a much lesser role for himself in the making of a film. During his visit to Harvard the last week in March, as a guest of Mather House, Dunster House, and Carpenter Center, Resnais spoke of the practical limits and hazards of film direction. He conveyed a shy elegance, and graceful composure reminiscent of his days as an actor. In speaking, his characteristic gesture is a smiling...

Author: By Phil Patton and Sharon Shurts, S | Title: Alain Resnais: From Marienbad to the Bronx | 4/14/1972 | See Source »

BARNUM AND KNOX complement each others' strengths again as Conchubar and Cuchulain in On Baile's Strand, but this play uses the relationship of two lesser characters, the Blind Man and the Fool, to equal purpose in commenting on the progress of Cuchulain's life. Peter Wirth and Joel Davidson succeed only partially in filling these two roles with intelligent but unrealized interpretations. Director Donnally Miller emphasizes the mutual dependence of the two half-men well enough, but the scenes where they're alone, ideal for comic improvisation, drag more than they should...

Author: By Bill Beckett, | Title: Three By Yeats | 3/30/1972 | See Source »

There's still more. Robert Duvall, rivalling Robert Ryan as America's most underrated actor, is the Corleone's German-Irish lawyer: Sterling Hayden, brute incarnate, a guinea-baiting crooked mick cop; and a supporting cast of lesser-knowns and has-beens with the right number of stitches in their faces and cricks in their walks...

Author: By Michael Sragow, | Title: Killers' Choice | 3/29/1972 | See Source »

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